Wedding Gown's Waistline
Labels: Advice, Tips, Wedding Gowns
Wedding Gown's Waistline
Empire - The Empire features a seam based high on the waist, just below the bust line. The skirt falls in a slight A-line and is named after the style's popularity during the Empire period in France.
Good For: Brides with smaller bust (add emphasis); the waist-maximising cut allows extra room for brides who want to divert attention away from their tummy or are pregnant.
Not Good For: Brides with a big bust (it tends to make you appear top-heavy) or full hips.
Natural - The seam of this waistline lies, as the name implies, at the natural waist, which is the indentation between the hip and ribcage.
Good For: Almost everyone.
Not Good For: Anyone wider around the middle.
Basque - The Basque waist forms an elongated triangle beneath your own natural waistline. This style diminishes the width of the dress at the waist.
Good For: Full or hourglass figures and those seeking less emphasis on the hips.
Not Good For: Large tummies or the pregnant.
Asymmetrical - An Asymmetrical bodice features a change in waist height from one side of the dress to the other. The extent to which this stule flatters certain figures may vary, depending on the cut.
Dropped - The dropped waist falls several inches below your natural waistline.
Good For: Elongating the torso.
Not Good For: Those with narrow shoulders (gives you an A shape) or long waists (adds extra length).
Empire - The Empire features a seam based high on the waist, just below the bust line. The skirt falls in a slight A-line and is named after the style's popularity during the Empire period in France.
Good For: Brides with smaller bust (add emphasis); the waist-maximising cut allows extra room for brides who want to divert attention away from their tummy or are pregnant.
Not Good For: Brides with a big bust (it tends to make you appear top-heavy) or full hips.
Natural - The seam of this waistline lies, as the name implies, at the natural waist, which is the indentation between the hip and ribcage.
Good For: Almost everyone.
Not Good For: Anyone wider around the middle.
Basque - The Basque waist forms an elongated triangle beneath your own natural waistline. This style diminishes the width of the dress at the waist.
Good For: Full or hourglass figures and those seeking less emphasis on the hips.
Not Good For: Large tummies or the pregnant.
Asymmetrical - An Asymmetrical bodice features a change in waist height from one side of the dress to the other. The extent to which this stule flatters certain figures may vary, depending on the cut.
Dropped - The dropped waist falls several inches below your natural waistline.
Good For: Elongating the torso.
Not Good For: Those with narrow shoulders (gives you an A shape) or long waists (adds extra length).
Wedding Gown's Train
Labels: Advice, Tips, Wedding Gowns
Wedding Gown's Train
The train is the elongated back portion of the gown that lies on the floor and trails behind the bride.
1) Sweep - The shortest train, extending back one-and-a-half feet or less from where the gown hits the floor. Also known as a "brush"
2) Watteau - A train that attaches to the gown at the shoulders and falls loosely to the hem of the dress
3) Court - The same length as a sweep train, the court train extends directly from the waist
4) Chapel - A very popular length, the chapel extends from three-and-a-half to four-and-a-half feet from the waist
5) Cathedral - A very formal option, the Cathedral extends six-and-a-half to seven-and-a-half feet from the waist
6) Panel - A separate simple panel of fabric about a foot wide that acts as a train. It can be court or chapel length and is often detachable to add versatility
7) Monarch - Also known as "Royal", this version extends twelve feet or more from the waist.
The train is the elongated back portion of the gown that lies on the floor and trails behind the bride.
1) Sweep - The shortest train, extending back one-and-a-half feet or less from where the gown hits the floor. Also known as a "brush"
2) Watteau - A train that attaches to the gown at the shoulders and falls loosely to the hem of the dress
3) Court - The same length as a sweep train, the court train extends directly from the waist
4) Chapel - A very popular length, the chapel extends from three-and-a-half to four-and-a-half feet from the waist
5) Cathedral - A very formal option, the Cathedral extends six-and-a-half to seven-and-a-half feet from the waist
6) Panel - A separate simple panel of fabric about a foot wide that acts as a train. It can be court or chapel length and is often detachable to add versatility
7) Monarch - Also known as "Royal", this version extends twelve feet or more from the waist.
Choosing Gown's Neckline According To Your Body Shape
Labels: Advice, Tips, Wedding Gowns
Choosing Gown's Neckline According To Your Body Shape
Big Bust
Go For:
1) Elements such as lines and patterns that are consistent throughout the dress, which will draw attention to the face and the flow to the dress
2) Dresses with straps for extra support. If you prefer strapless gowns, look for a neckline with a slight dip (e.g sweetheart) that shows off cleavage tastefully
3) Scoop, boat and square necklines and off-shoulder styles to open-up your face and neckwithout showing too much of cleavage.
Avoid:
1) High necklines (e.g jewel or bateau) that make breasts look droopy
2) Straight horizontal necklines that make breasts look too big for the dress
3) Empire waistline that can give the illusion of a big stomach
4) Fabrics with sheen (e.g silk) or material that ruched
Small Bust
Go For:
1) Designs with details on the bodice such as beads, crystals, ruffles, gathering, etc. These add volume and give the illusion of a fuller bust line
2) High, jewel or bateau necklines that make the bust seem larger due to the curve of the material from the neck to the bust
3) Low-cut lines such as "V" halters, scoop, square and spaghetti straps. Add padding for a cleavage if needed
Avoid:
1) Designs with simple, straiht lines that are repetitive
2) Dresses that gape at the neckline such as off-shoulder styles and sweetheart necklines, which only work to enhance larger chest
Long Legs
Go For:
1) Dresses that hug the figure, such as sheath and memaid cuts, while more voluptuous brides can try the empire or A-line cuts
2) Lower waistlines, floor sweeping hems and trains for a flattering style
3) Two-piece dresses such as a bodice and skirt in different shades or petterns. The separate pieces will help break up a long silhoutte
Avoid:
1) Too many details on the dress as this looks overwhelming on a tall silhouette
2) High necklines that elongate the body, making legs appear even longer
3) Skirts that end at the ankles and sleeves that end before the wrists - it will seem as though the dress is a size too small
Short Legs
Go For:
1) A-line dresses with natural waistlines as they elongate the silhouette, making a short bride appear taller
2) High waistlines that are above the natural waist, to elongate the lower body
3) Small design details that are limited to the bodice of the dress. This draws attention to the upper body and will not overpower short silhouettes
Avoid:
1) Full skirts and ball gowns - short legs can get lost in them
2) Dresses with dropped waistlines as they'll only make the leg look shorter
3) Anything that ends at the calves. Try floor sweeping or knee-length skirts instead.
Broad Shoulders
Go For:
1) Dresses with straps that will "close up" some shoulder space or halter dresses that flatter broad shoulders
2) High, round, sweetheart, scooped, "V" or "U" necklines
3) Sheer, flowing fabric that gives the illusion of softer shoulders
4) A full or A-line skirt, which is in proportion to the width of your shoulders
Avoid:
1) Short, puffed or off-shoulder sleeves and bolero jackets
2) Asymmetrical necklines that make your shoulders look disproportionate
3) Big design details on or around the shoulder or arm area, as they call attention to the broadness of the shoulders
Narrow Shoulders
Go For:
1) Off-shoulder and strapless dresses that will make your shoulders look broader. Necklines for these styles can be straight, round or sweetheart.
2) Potrait, scoop or boat necklines that are wide enough to define the collarbone
3) Full arm and cap sleeves that create the illusion of wider shoulders
Avoid:
1) Spaghetti straps or halter tops, or high, narrow "V" and "U" necklines which reduce shoulder width
2) Anything that draws attention to the centre of the body (eg. vertical lines leading to the waistlines as they highlight the fact that the hips are wider than the shoulders
Wide Hips
Go For:
1) Flared skirts such as A-line or princess line, or those with higher waistlines. The skirt should flow away from the body at the waist or hips
2) Broad necklines such as scoop, bateau, off-shoulder and potrait
3) Design details such as ruffles, gathering or bows on the bodice, below the hips and on the back
Avoid:
1) Dresses that are tight on the hips, such as mermaid and sheath styles
2) High necklines such as collar, Queen Anne and halter that elongate the upper body and make wide hips more prominent
3) Design details at the waist or hip areas, which add unwanted volume
Narrow Hips
Go For:
1) The right style and cut (e.g the sheath with a bias cut at the waistline creates curves where there are none and emphasise any that you do have)
2) Dresses that clinch in at your natural waist and descend into a slight A-line skirt to accentuate your slim body and hide the lack of curves around the hips
3) Skirts with heavy design details or layers to add volume to your silhouette
Avoid:
1) Full skirts or ballerina dresses as they emphasize your (lack of) hips
2) Plain dresses - the plainer it is, the more obvious your lack of curves will be
3) Styles that hug the figure too tightly, such as mermaid dress. It's more suitable for the bride with an hourglass figure
Flabby Arms
Go For:
1) Portrait necklines that frame the shoulders and collarbones while hiding fuller arms, and halter V-line dresses that emphasise your face and bust
2) A loose-fitting cut or thin, sheer fabric such as chiffon which doesn't wrap around your arms too tightly
3) Cover ups such as a wrap, shawl, bolero jacket or a really long veil. Something's that sheer or with details to take attention away from your arms
4) Long sheer sleeves that lend an airy, romantic vibe while hiding your arms
Avoid:
1) Spaghetti strap or strapless dresses without any cover-up
2) Off-shoulder dresses, fitted sleeves or satin sleeves
3) Bodice with sleeves that stop at the edge of the shoulders
Big Bust
Go For:
1) Elements such as lines and patterns that are consistent throughout the dress, which will draw attention to the face and the flow to the dress
2) Dresses with straps for extra support. If you prefer strapless gowns, look for a neckline with a slight dip (e.g sweetheart) that shows off cleavage tastefully
3) Scoop, boat and square necklines and off-shoulder styles to open-up your face and neckwithout showing too much of cleavage.
Avoid:
1) High necklines (e.g jewel or bateau) that make breasts look droopy
2) Straight horizontal necklines that make breasts look too big for the dress
3) Empire waistline that can give the illusion of a big stomach
4) Fabrics with sheen (e.g silk) or material that ruched
Small Bust
Go For:
1) Designs with details on the bodice such as beads, crystals, ruffles, gathering, etc. These add volume and give the illusion of a fuller bust line
2) High, jewel or bateau necklines that make the bust seem larger due to the curve of the material from the neck to the bust
3) Low-cut lines such as "V" halters, scoop, square and spaghetti straps. Add padding for a cleavage if needed
Avoid:
1) Designs with simple, straiht lines that are repetitive
2) Dresses that gape at the neckline such as off-shoulder styles and sweetheart necklines, which only work to enhance larger chest
Long Legs
Go For:
1) Dresses that hug the figure, such as sheath and memaid cuts, while more voluptuous brides can try the empire or A-line cuts
2) Lower waistlines, floor sweeping hems and trains for a flattering style
3) Two-piece dresses such as a bodice and skirt in different shades or petterns. The separate pieces will help break up a long silhoutte
Avoid:
1) Too many details on the dress as this looks overwhelming on a tall silhouette
2) High necklines that elongate the body, making legs appear even longer
3) Skirts that end at the ankles and sleeves that end before the wrists - it will seem as though the dress is a size too small
Short Legs
Go For:
1) A-line dresses with natural waistlines as they elongate the silhouette, making a short bride appear taller
2) High waistlines that are above the natural waist, to elongate the lower body
3) Small design details that are limited to the bodice of the dress. This draws attention to the upper body and will not overpower short silhouettes
Avoid:
1) Full skirts and ball gowns - short legs can get lost in them
2) Dresses with dropped waistlines as they'll only make the leg look shorter
3) Anything that ends at the calves. Try floor sweeping or knee-length skirts instead.
Broad Shoulders
Go For:
1) Dresses with straps that will "close up" some shoulder space or halter dresses that flatter broad shoulders
2) High, round, sweetheart, scooped, "V" or "U" necklines
3) Sheer, flowing fabric that gives the illusion of softer shoulders
4) A full or A-line skirt, which is in proportion to the width of your shoulders
Avoid:
1) Short, puffed or off-shoulder sleeves and bolero jackets
2) Asymmetrical necklines that make your shoulders look disproportionate
3) Big design details on or around the shoulder or arm area, as they call attention to the broadness of the shoulders
Narrow Shoulders
Go For:
1) Off-shoulder and strapless dresses that will make your shoulders look broader. Necklines for these styles can be straight, round or sweetheart.
2) Potrait, scoop or boat necklines that are wide enough to define the collarbone
3) Full arm and cap sleeves that create the illusion of wider shoulders
Avoid:
1) Spaghetti straps or halter tops, or high, narrow "V" and "U" necklines which reduce shoulder width
2) Anything that draws attention to the centre of the body (eg. vertical lines leading to the waistlines as they highlight the fact that the hips are wider than the shoulders
Wide Hips
Go For:
1) Flared skirts such as A-line or princess line, or those with higher waistlines. The skirt should flow away from the body at the waist or hips
2) Broad necklines such as scoop, bateau, off-shoulder and potrait
3) Design details such as ruffles, gathering or bows on the bodice, below the hips and on the back
Avoid:
1) Dresses that are tight on the hips, such as mermaid and sheath styles
2) High necklines such as collar, Queen Anne and halter that elongate the upper body and make wide hips more prominent
3) Design details at the waist or hip areas, which add unwanted volume
Narrow Hips
Go For:
1) The right style and cut (e.g the sheath with a bias cut at the waistline creates curves where there are none and emphasise any that you do have)
2) Dresses that clinch in at your natural waist and descend into a slight A-line skirt to accentuate your slim body and hide the lack of curves around the hips
3) Skirts with heavy design details or layers to add volume to your silhouette
Avoid:
1) Full skirts or ballerina dresses as they emphasize your (lack of) hips
2) Plain dresses - the plainer it is, the more obvious your lack of curves will be
3) Styles that hug the figure too tightly, such as mermaid dress. It's more suitable for the bride with an hourglass figure
Flabby Arms
Go For:
1) Portrait necklines that frame the shoulders and collarbones while hiding fuller arms, and halter V-line dresses that emphasise your face and bust
2) A loose-fitting cut or thin, sheer fabric such as chiffon which doesn't wrap around your arms too tightly
3) Cover ups such as a wrap, shawl, bolero jacket or a really long veil. Something's that sheer or with details to take attention away from your arms
4) Long sheer sleeves that lend an airy, romantic vibe while hiding your arms
Avoid:
1) Spaghetti strap or strapless dresses without any cover-up
2) Off-shoulder dresses, fitted sleeves or satin sleeves
3) Bodice with sleeves that stop at the edge of the shoulders
Wedding Gowns : Neckline
Labels: Advice, Tips, Wedding Gowns
Wedding Gowns : The Neckline
Here is a thing or two about the neckline of the wedding gowns that a bride need to know when choosing a perfect gown for herself. In my opinion, neckline plays an important part too besides the gown's silhouette. Because if a bride chooses a gown which is totally wrong for her, the whole gown will look totally weird on her. So here are some standard necklines that you will need to know.
High Collar
A band collar that extends up the neck. The mandarin version of this style is taken from traditional Asian dress, and doesn't quite meet at the centre front.
Bateau
The wide-necked shape follows the curve of the collarbone, almost to the tip of the shoulders. The Sabrina version - made popular by Audrey Hepburn - is sleeveless; the front and back panels just touch at the shoulders, sometime with thin straps.
Jewel
Also known as the T-shirt neckline, the jewel neckline is round and sits at the base of the throat.
Potrait
Characterised by a wide, soft scoop from shoulder to shoulder.
Sweetheart
A low-cut neckline shaped like the top half of a heart, accentuating the decolletage. Often done with an overlay of sheer material that rises higher, elongating the torso and neck.
Scoop
Also known as ballerina neckline, this U-shaped style is often cut low, and occasionally the scoop will continue at the back of the dress.
V-Neck
The neckline dips down at the front in a flattering V, elongating the neckline and de-emphasizing the bust line.
Square
The name gives this one away; the neckline is cut straight across the front.
Halter
The halter feature straps that wrap around the neck, or a high neck with deep armholes. This is often backless.
Off the Shoulder
This neckline sits below the shoulders, with sleeve-like straps that cover part of the upper arm. Shows off your collarbone and shoulders.
Spaghetti Strap
This neckline is nearly strapless, except for the presence of thin, delicate straps. A bit like strings of spaghetti.
Strapless
The bodice is usually cut straight across, but it can also peak on the sides or have a slight dip in the centre.
Asymmetrical
Asymmetrical by it's very definition means there is no symmetry or no balance. So this neckline appears different on either side of the centre front.
Here is a thing or two about the neckline of the wedding gowns that a bride need to know when choosing a perfect gown for herself. In my opinion, neckline plays an important part too besides the gown's silhouette. Because if a bride chooses a gown which is totally wrong for her, the whole gown will look totally weird on her. So here are some standard necklines that you will need to know.
High Collar
A band collar that extends up the neck. The mandarin version of this style is taken from traditional Asian dress, and doesn't quite meet at the centre front.
Bateau
The wide-necked shape follows the curve of the collarbone, almost to the tip of the shoulders. The Sabrina version - made popular by Audrey Hepburn - is sleeveless; the front and back panels just touch at the shoulders, sometime with thin straps.
Jewel
Also known as the T-shirt neckline, the jewel neckline is round and sits at the base of the throat.
Potrait
Characterised by a wide, soft scoop from shoulder to shoulder.
Sweetheart
A low-cut neckline shaped like the top half of a heart, accentuating the decolletage. Often done with an overlay of sheer material that rises higher, elongating the torso and neck.
Scoop
Also known as ballerina neckline, this U-shaped style is often cut low, and occasionally the scoop will continue at the back of the dress.
V-Neck
The neckline dips down at the front in a flattering V, elongating the neckline and de-emphasizing the bust line.
Square
The name gives this one away; the neckline is cut straight across the front.
Halter
The halter feature straps that wrap around the neck, or a high neck with deep armholes. This is often backless.
Off the Shoulder
This neckline sits below the shoulders, with sleeve-like straps that cover part of the upper arm. Shows off your collarbone and shoulders.
Spaghetti Strap
This neckline is nearly strapless, except for the presence of thin, delicate straps. A bit like strings of spaghetti.
Strapless
The bodice is usually cut straight across, but it can also peak on the sides or have a slight dip in the centre.
Asymmetrical
Asymmetrical by it's very definition means there is no symmetry or no balance. So this neckline appears different on either side of the centre front.
Simple Tips And Tricks to Make Plain Heel Aisle Worthy
Labels: Accessories, Advice, DIY, Shoes, TipsSimple Tips And Tricks to Make Plain Heel Aisle Worthy
1) Glue two strips of ribbons along the curves of a covered heel for a classy touch. One strip should start from the left side to the right front side and the other from the right back side to just where the ribbons intersect. Tuck the shorter piece underneath the longer piece and glue it so it can't be seen.
2) Buy ready made strips of sequins or patterned beads (already sewed together) and glue them on to the straps of the heels or along the edges of a flat front strap.
3) You can also use lace as a covering for covered, peep-toe or strappy heels. Use a lace cloth for covered or peep-toe heels. Cut according to the size needed then glue on starting from the middle of the shoe to the sides. You may need to fold or tuck extra cloth along the sides. Hide these folds with a thin strip of ribbon.
4) Plain coloured shoes can be hard to find so if you need a particular shade to match your gown, use ribbons to cover the straps of the heels. Remember to cover the soles and heel with fabric also. This will work better with strappy heels as they're easier to cover with ribbons.Source: Female Brides
Dress Sillhouete
Labels: Advice, Tips, Wedding Gowns
The Ball Gown
The most traditional of all shapes, te ball gown is typified by a fitted bodice and natural or dropped waistline that leads to a very full skirt. Pleats or gathers in the skirt are what make it a ball gown.
Good For: skinny minnies (add curves) and pear shapes (the skirt hides everything)
Bad For: the petite (the excess fabric can overwhelm tiny frames) and those with a lot on top (you might end up looking round)
The Sheath
A modern sexier take on the traditional wedding gown, the sheath is characterised by a slim profile that closely follows the curves of the body.
Good For: the tall and thin as well as the slim and petite (the lean shape adds length)
Bad For: anyone who feels like they have something to hide
The A-Line
As its name implies, the A-line cut is narrow at the top, cut close to the ribcage, and extends out along the body in the shape of a triangle (or 'A') in a smooth, elongated line. It is perhaps the most popular skirt option, as it looks wonderful on a variety of body types. The line of the skirts are always clean and ungathered, but there is, as always, a number of versions. The princess cut is exemplified by vertical seams travelling from the bust to the hem. Another take is the circle skirt, a very wide A-line wih a full skirt.
Good For: most body types
Bad For: almost no one
The most traditional of all shapes, te ball gown is typified by a fitted bodice and natural or dropped waistline that leads to a very full skirt. Pleats or gathers in the skirt are what make it a ball gown.
Good For: skinny minnies (add curves) and pear shapes (the skirt hides everything)
Bad For: the petite (the excess fabric can overwhelm tiny frames) and those with a lot on top (you might end up looking round)
The Sheath
A modern sexier take on the traditional wedding gown, the sheath is characterised by a slim profile that closely follows the curves of the body.
Good For: the tall and thin as well as the slim and petite (the lean shape adds length)
Bad For: anyone who feels like they have something to hide
The A-Line
As its name implies, the A-line cut is narrow at the top, cut close to the ribcage, and extends out along the body in the shape of a triangle (or 'A') in a smooth, elongated line. It is perhaps the most popular skirt option, as it looks wonderful on a variety of body types. The line of the skirts are always clean and ungathered, but there is, as always, a number of versions. The princess cut is exemplified by vertical seams travelling from the bust to the hem. Another take is the circle skirt, a very wide A-line wih a full skirt.
Good For: most body types
Bad For: almost no one
Selecting A Bridal Gown For Your Body Type
Labels: Advice, Tips, Wedding Gowns
Selecting A Bridal Gown For Your Body Type
Choosing your bridal gown is one of the most important fashion decisions you will ever make as every brides wanna look their best on their special day. It is hard enough to find that perfect gown for your wedding day, but to add to the frustration you must find something that works with your body type so that you will not only look amazing, but feel comfortable in. Brides come in all different shapes and sizes so we must choose a gown accordingly that will be flattering to our specific shape. The following are examples of body shapes and gowns that work according those figures.
1) Pear shaped - The pear shaped figure is a figure that is smaller at the top and fuller at the bottom, hence in the shape of a pear. (go figure!) A full ball gown is always a great choice with an accented waistline because it will minimize the hips and bring focus to the smaller upper bodice. This can be a gown that has pleats (including box pleats). A pear-shaped bride should stay away from sheath gowns (a gown that is straight up and down) as the fuller bottom will be pronounced in such a style .
2) Broad Shouldered brides should choose a gown that has spaghetti straps or a scoop neckline which to the eye shortens the width of the shoulders. An elongated bodice with a dropped waist also elongates the bodice and narrows the shoulders. Broad shouldered brides should stay away from oversized sleeves or off the shoulder sleeves with ruffles or accents. Think less is more when it comes to accents on the shoulders.
Choosing your bridal gown is one of the most important fashion decisions you will ever make as every brides wanna look their best on their special day. It is hard enough to find that perfect gown for your wedding day, but to add to the frustration you must find something that works with your body type so that you will not only look amazing, but feel comfortable in. Brides come in all different shapes and sizes so we must choose a gown accordingly that will be flattering to our specific shape. The following are examples of body shapes and gowns that work according those figures.
1) Pear shaped - The pear shaped figure is a figure that is smaller at the top and fuller at the bottom, hence in the shape of a pear. (go figure!) A full ball gown is always a great choice with an accented waistline because it will minimize the hips and bring focus to the smaller upper bodice. This can be a gown that has pleats (including box pleats). A pear-shaped bride should stay away from sheath gowns (a gown that is straight up and down) as the fuller bottom will be pronounced in such a style .
2) Broad Shouldered brides should choose a gown that has spaghetti straps or a scoop neckline which to the eye shortens the width of the shoulders. An elongated bodice with a dropped waist also elongates the bodice and narrows the shoulders. Broad shouldered brides should stay away from oversized sleeves or off the shoulder sleeves with ruffles or accents. Think less is more when it comes to accents on the shoulders.
3) Short/Petite brides should stay away from gowns that are "too much" meaning gowns with too much fabric that "swallow up the bride." Full ball gowns with many pleats usually do not work well with petite brides. Modified A-line or Princess A-line with natural waistlines gowns are great choices for petite brides. Dropped waistlines tend to make short brides look shorter.
4) Tall/thin brides look great in sheath gowns which are gowns that are straight up and down. This will show off the figure and make a bride seem thinner than for example a very tall girl in a huge ball gown. Tall/thin brides are usually the only ones that can pull off such a gown so show it off if you can ladies!
5) Hourglass figure are brides that have curves like an hourglass. An A-line (modified or princess) gown with a dropped waist works the best with hourglass figures. It shows off the figure while accenting the appropriate areas of the body. Also, a sweetheart neckline will accent the bodice if it covers enough of the full bustline.
6) Thick waisted brides look the best in empire gowns which are gowns that have a high waistline. Empire waistlines are usually right below the bustline and gradually fade to an A-line skirt. Thick waisted brides should stay away from natural waistline gowns that emphasize the waist.
Best of luck gown hunting! Remember always choose something that you feel most comfortable in and never be persuaded to buy something you do not want!
How To Make Your Own Veil
Labels: Accessories, Advice, DIY, Tips, Veils
How To Make Your Own Veil
The Lengths - Although there are slight variations, here are the standard measurements for veils:
to Shoulder -> 18"
to Blusher/Elbow -> 24"
to Waist -> 30"-36"
to Fingertip -> 40"-45"
to Knee -> 54"
to Chapel/Floor -> 60"-72"
Cathedral -> 144"
*But if you are doing it yourself, the best plan is to simply measure where you want it to fall on you and create your own custom length.
Materials:
1) Fabric - Tulle, organza, chiffon, silk, etc. Length is up to you! Measure the length from where on your head it will attach down to where you'd like it to fall.
2) Thread - Select thread that matches the color of your veil or use silver metallic thread if your edging will be silver metallic.
3) Comb - Any plastic comb will do, but clear/transparent is probably the best color.
4) Trims - For examples, crystal beads, pearl colored beads, sequins, ready made trims, satin cording and ribbon. Any trim that is ready made will be faster than sewing on individal beads or sequins when making a bridal veil.
Instructions:
Once you have the piece of fabric cut to desired length and width you will need to sew on your trim. Some fabrics actually do not need trim as they won't unravel, but most look best trimmed. You will only need to trim three sides of the veil since the top of the veil will be sewn onto your comb. Fold over the edge of the veil and add your trim to the three sides using a needle and thread. The trim shown is white satin cord.
Before trimming, you may want to round out the bottom edges of the veil. Place a CD disc on the corner and trace the round contour and then cut the rounded corner with scissors. This is optional.To attach the trimmed veil to the comb, find the center of the top edge of your veil and sew it onto the center of your comb. Bunch up the veil and continue to sew it onto the comb. Make sure you sew it onto the outside of the comb, the convex (rounded out) side.
Finish making your bridal veil by adding matching trim or beads to the top of the sewn on part of your comb. This will cover up any visible stitches.
Always a good idea to have someone help you with your veil. I advise that even with a comb, a few bobby pins should be used to secure the veil in place.
So get yourself to a fabric store and start looking for veil fabric and trims so you can start making a bridal veil!
The Lengths - Although there are slight variations, here are the standard measurements for veils:
to Shoulder -> 18"
to Blusher/Elbow -> 24"
to Waist -> 30"-36"
to Fingertip -> 40"-45"
to Knee -> 54"
to Chapel/Floor -> 60"-72"
Cathedral -> 144"
*But if you are doing it yourself, the best plan is to simply measure where you want it to fall on you and create your own custom length.
Materials:
1) Fabric - Tulle, organza, chiffon, silk, etc. Length is up to you! Measure the length from where on your head it will attach down to where you'd like it to fall.
2) Thread - Select thread that matches the color of your veil or use silver metallic thread if your edging will be silver metallic.
3) Comb - Any plastic comb will do, but clear/transparent is probably the best color.
4) Trims - For examples, crystal beads, pearl colored beads, sequins, ready made trims, satin cording and ribbon. Any trim that is ready made will be faster than sewing on individal beads or sequins when making a bridal veil.
Instructions:
Once you have the piece of fabric cut to desired length and width you will need to sew on your trim. Some fabrics actually do not need trim as they won't unravel, but most look best trimmed. You will only need to trim three sides of the veil since the top of the veil will be sewn onto your comb. Fold over the edge of the veil and add your trim to the three sides using a needle and thread. The trim shown is white satin cord.
Before trimming, you may want to round out the bottom edges of the veil. Place a CD disc on the corner and trace the round contour and then cut the rounded corner with scissors. This is optional.To attach the trimmed veil to the comb, find the center of the top edge of your veil and sew it onto the center of your comb. Bunch up the veil and continue to sew it onto the comb. Make sure you sew it onto the outside of the comb, the convex (rounded out) side.
Finish making your bridal veil by adding matching trim or beads to the top of the sewn on part of your comb. This will cover up any visible stitches.
Always a good idea to have someone help you with your veil. I advise that even with a comb, a few bobby pins should be used to secure the veil in place.So get yourself to a fabric store and start looking for veil fabric and trims so you can start making a bridal veil!
How To Transform Normal Bags Into Bridal Handbags
Labels: Accessories, Advice, Bags, DIY, Tips
How To Transform Normal Bags Into Bridal Handbags
1) Buy a long, rectangular bag.
2) Remove the straps and any other embellishments.
3) Get a nice hair clip or brooch and attach it to the bag, and there you have it! An elegant evening bag!
4) Sew a piece of organza material over the original bag. This will create a two-toned effect with the original colour peeping out through the organza.
*To disguise holes after removing buckles or embellishments, cover up with a strip of ribbon glue on a ribbon bow and/or add faux jewellery pieces.
Post-wedding*
Change the clip or brooch to something less bridal or make a long strap from a thick strip of ribbon for a more casual look. Replace the cream ribbon and bow with black satin ribbons for a classy, black and white look.
1) Buy a long, rectangular bag.
2) Remove the straps and any other embellishments.
3) Get a nice hair clip or brooch and attach it to the bag, and there you have it! An elegant evening bag!
4) Sew a piece of organza material over the original bag. This will create a two-toned effect with the original colour peeping out through the organza.
*To disguise holes after removing buckles or embellishments, cover up with a strip of ribbon glue on a ribbon bow and/or add faux jewellery pieces.
Post-wedding*
Change the clip or brooch to something less bridal or make a long strap from a thick strip of ribbon for a more casual look. Replace the cream ribbon and bow with black satin ribbons for a classy, black and white look.
Neoromantic Bridal
Labels: About Us
About Us
Neoromantic Bridal professionally tailor made wedding gown and evening gown,bridesmaid dresses. We provide professional designer service for free to figure and reflect your personality, only the workmanship and fabric will be charged. Neoromantic provides high quality luxury tailor made wedding gown with attractive and affordable price range. Our bridal gowns are individually made-to-measure, handcrafted with couture details, and custom fitted exclusively. It is our honor in making every bride's dreaming gown become true.
We caters the needs of our customers according to your specifications and measurements and dress will be beautifully made especially for your perfect day . Meanwhile we provide a lot of ready made wedding gowns for customer trying on, rack off and rental also. With our years of experience and expertise in the custom made gown industry, we are sure we can make your dream wedding and fashions fantasies come to life. We are your best choice for your wedding gowns in malaysia.
And here we would like to thank all of our clients, family and friends for your support and encouragement. We promise that we will become better and better either in our service and material, workmanship etc.
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