Announcement
Labels: AnnouncementDear all,
We will not be opening on Sunday in the month of December 2008 and January 2009.
So our new business hours will be:
Tuesday - Saturday = 10.00 a.m till 7.30 p.m
(closed on Sunday & Monday)
(closed on Sunday & Monday)
Thank you
How To Choose A Wedding Gown Design
Labels: Advice, Tips, Wedding Gowns
In choosing a design, there are 6 things you should keep your eye on:
Color: The color you select will depend upon your own coloring; dark-skinned brunettes look good in ivory or beige, and fair-skinned blondes may find they look better in a white pastel or pure white gown.
Length: The type of wedding you're having will affect your gown's length. Full-length gowns are fitting for formal weddings. At informal weddings, which are typically small in size and fanfare (and common for second, third, and fourth+ marriages), the bride can wear a knee-length skirt. The skirt should cover the knees and drape at least one inch below the top of the kneecap. Ankle-length is acceptable too, and it can be very classy, sexy, fashionable and romantic.
Silhouette: The "silhouette" refers to the shape of the gown and how it hugs your body. Popular styles include the Princess and A-line, ball gown (i.e., the Cinderella look), sheaths, a mermaid shape, an empire silhouette, or a two-piece.
Train: We suggest that if you want the long train, that it be detachable so that it won't get stepped on, torn, or otherwise ruined during the reception.
Mood: The mood of your dress can be Romantic, Modern, Traditional, or Classic.
Size: As with any other wardrobe selection, when it comes to picking a wedding dress, size does matter. For brides petite and large, the size of a bridal gown is ordered based on measurements of bust, waist, hips and height. Check this chart out to get an idea.
Color: The color you select will depend upon your own coloring; dark-skinned brunettes look good in ivory or beige, and fair-skinned blondes may find they look better in a white pastel or pure white gown.
Length: The type of wedding you're having will affect your gown's length. Full-length gowns are fitting for formal weddings. At informal weddings, which are typically small in size and fanfare (and common for second, third, and fourth+ marriages), the bride can wear a knee-length skirt. The skirt should cover the knees and drape at least one inch below the top of the kneecap. Ankle-length is acceptable too, and it can be very classy, sexy, fashionable and romantic.
Silhouette: The "silhouette" refers to the shape of the gown and how it hugs your body. Popular styles include the Princess and A-line, ball gown (i.e., the Cinderella look), sheaths, a mermaid shape, an empire silhouette, or a two-piece.
Train: We suggest that if you want the long train, that it be detachable so that it won't get stepped on, torn, or otherwise ruined during the reception.
Mood: The mood of your dress can be Romantic, Modern, Traditional, or Classic.
Size: As with any other wardrobe selection, when it comes to picking a wedding dress, size does matter. For brides petite and large, the size of a bridal gown is ordered based on measurements of bust, waist, hips and height. Check this chart out to get an idea.
Wedding Gowns Sleeves
Labels: Tips, Wedding Gowns
Whether you want to show off your totally buff arms or hide a figure flaw, pay careful attention to the sleeves on your gown.
Cap - very short sleeves; only covering the shoulders, sometimes seen on off-the-shoulder gowns.
Fitted - a tight sleeve cut very close to the arm, best for those with thin arms.
Juliet - Renaissance look, tightly fitted with a small pouf at the shoulder.
Leg o' Mutton - the Dynasty look, very full at the shoulder, very fitted at the forearm.
Tulip - a cap sleeve made of overlapping fabric that curves into a petal shape.
Poet - a fitted long sleeve with an outward flare just above the wrists, very lyrical.
Cap - very short sleeves; only covering the shoulders, sometimes seen on off-the-shoulder gowns.
Fitted - a tight sleeve cut very close to the arm, best for those with thin arms.
Juliet - Renaissance look, tightly fitted with a small pouf at the shoulder.
Leg o' Mutton - the Dynasty look, very full at the shoulder, very fitted at the forearm.
Tulip - a cap sleeve made of overlapping fabric that curves into a petal shape.
Poet - a fitted long sleeve with an outward flare just above the wrists, very lyrical.
Ceremony Of Shoes
Labels: History, Shoes
The idea of luck is the principal thought associated with shoes during marriage custom. Sharper Knowlson (1998) considered shoe customs were in existence from the time of the Egyptians but not confined to any one race. The privalence of new shoes in wedding folk lore would also suggest a passage rite.
For most the connection between footwear, luck and marriage still continues. An old custom was to throw a shoe at weddings for luck and this continues today, in several forms. Many wedding cakes are decorated with miniature charms, including silver shoes.
These may relate to Biblical times, when removing the shoe denoted the confirmation of a contract for redemption or change of ownership. An example of this is given in the laws and ordinances within the book of Deuteronomy.
A common practice was for a widow to marry her husband's surviving brother. In the event of him refusing to do so, she was directed to "come unto him in the presence of the elders, and loose his shoe from off his foot." This action was accepted as the widow's assertion of independence as well as declaring her brother-in law's failure to comply with the law.
In a similar manner the Middle Ages custom found throughout Europe was for the bride's father to give an old boot or shoe from his daughter's left foot to the bridegroom on their marriage. This was thought to indicate the passing of responsibility for her well being.
In Medieval France the groom would sit with his shoe over his brides foot alternatively other custom variation was for the groom to tap the bride on the head with her shoe to show, he was master.
Another custom found across the world relates to removing shoes or giving shoes during the ceremony. The ancient Inca Indians of Peru had a custom where the couple were only considered officially wed, when they took off their sandals and handed them to each other. The significance of taking your shoes off may relate to submission to another's will.
When the Emperor Vladimir proposed marriage to the daughter of Reginald, she refused him with the words "I will not take off my shoe to the son of a slave". Removing the shoe may refer in this context to sexual intercourse.
In Finland, traditionally the whole family accompanied the married couple to the bridal suite. The mother would not let the groom go to his bride until he had given her a pair of shoes. In some countries the wedding shoe was placed at the head of the bed on the husbands side to symbolise his sexual possession and to encourage fertility.
Another variant came from Wales where the bride and groom were presented with a pair of shoes joined together by a chain all cut from a single block of wood. Originally one little cavity contained a lump of sugar and the other coal to ensure the couple might never lack sustenance and warmth. Even today boot shaped confetti is ceremoniously thrown over the happy couple.
In ancient times sandals were often ornamented with horns, crescents and other representations of the moon. The casting of shoes at marriage ceremonies may have had something to do with this. The throwing of flowers and various grains are thought to be associated with fertility and it maybe shoes have a similar function. Throwing shoes at someone going on a journey was also thought to bring good luck. Confetti thrown at weddings is thought to be a remnant of this custom.
In more recent times the tying of old shoes to the wedding car may relate to the Middle Ages custom of throwing shoes to fend off evil spirits. It was commonly thought the devil was offended by the smell of humans and perhaps the basis for the practice was the presence of stench from sweaty feet. The origin of throwing shoes after the bridal pair remains obscure but could relate to the time when the bride was carried off by force. The throwing of shoes may symbolically demonstrate the clash of the relatives as the groom abducted the valued family member away. But this is unlikely since other customs would associate throwing shoes with, a good luck gesture.
"Hurl after me a shoe. I'll be merry whatever I do." Ben Johnson "And home again hitherward quick as a bee, Now for good luck, cast an old shoe for me." Old Heywood "For this thou shalt from all things seek. Marroe of mirth and laughter And wheresoe'er thou move thou luck. Shall throw her old shoe after." Alfred Lord Tennyson.
In the nineteenth century it was commonly believed that a husband could not be held liable for his wife's debts if she was married barefoot and clad only in a shift or smock.
For most the connection between footwear, luck and marriage still continues. An old custom was to throw a shoe at weddings for luck and this continues today, in several forms. Many wedding cakes are decorated with miniature charms, including silver shoes.
These may relate to Biblical times, when removing the shoe denoted the confirmation of a contract for redemption or change of ownership. An example of this is given in the laws and ordinances within the book of Deuteronomy.
A common practice was for a widow to marry her husband's surviving brother. In the event of him refusing to do so, she was directed to "come unto him in the presence of the elders, and loose his shoe from off his foot." This action was accepted as the widow's assertion of independence as well as declaring her brother-in law's failure to comply with the law.
In a similar manner the Middle Ages custom found throughout Europe was for the bride's father to give an old boot or shoe from his daughter's left foot to the bridegroom on their marriage. This was thought to indicate the passing of responsibility for her well being.
In Medieval France the groom would sit with his shoe over his brides foot alternatively other custom variation was for the groom to tap the bride on the head with her shoe to show, he was master.
Another custom found across the world relates to removing shoes or giving shoes during the ceremony. The ancient Inca Indians of Peru had a custom where the couple were only considered officially wed, when they took off their sandals and handed them to each other. The significance of taking your shoes off may relate to submission to another's will.
When the Emperor Vladimir proposed marriage to the daughter of Reginald, she refused him with the words "I will not take off my shoe to the son of a slave". Removing the shoe may refer in this context to sexual intercourse.
In Finland, traditionally the whole family accompanied the married couple to the bridal suite. The mother would not let the groom go to his bride until he had given her a pair of shoes. In some countries the wedding shoe was placed at the head of the bed on the husbands side to symbolise his sexual possession and to encourage fertility.
Another variant came from Wales where the bride and groom were presented with a pair of shoes joined together by a chain all cut from a single block of wood. Originally one little cavity contained a lump of sugar and the other coal to ensure the couple might never lack sustenance and warmth. Even today boot shaped confetti is ceremoniously thrown over the happy couple.
In ancient times sandals were often ornamented with horns, crescents and other representations of the moon. The casting of shoes at marriage ceremonies may have had something to do with this. The throwing of flowers and various grains are thought to be associated with fertility and it maybe shoes have a similar function. Throwing shoes at someone going on a journey was also thought to bring good luck. Confetti thrown at weddings is thought to be a remnant of this custom.
In more recent times the tying of old shoes to the wedding car may relate to the Middle Ages custom of throwing shoes to fend off evil spirits. It was commonly thought the devil was offended by the smell of humans and perhaps the basis for the practice was the presence of stench from sweaty feet. The origin of throwing shoes after the bridal pair remains obscure but could relate to the time when the bride was carried off by force. The throwing of shoes may symbolically demonstrate the clash of the relatives as the groom abducted the valued family member away. But this is unlikely since other customs would associate throwing shoes with, a good luck gesture.
"Hurl after me a shoe. I'll be merry whatever I do." Ben Johnson "And home again hitherward quick as a bee, Now for good luck, cast an old shoe for me." Old Heywood "For this thou shalt from all things seek. Marroe of mirth and laughter And wheresoe'er thou move thou luck. Shall throw her old shoe after." Alfred Lord Tennyson.
In the nineteenth century it was commonly believed that a husband could not be held liable for his wife's debts if she was married barefoot and clad only in a shift or smock.
Our Latest Samples!!
Labels: Evening Gowns, New Samples, Wedding GownsHere are the pictures from some of our latest samples!!!!!!
Please feel free to drop by our showroom to try on these fabulous gowns now!!!!
Wedding Dress Laces
Labels: Laces, Tips, Wedding Gowns
Allençon
Re-embroidered, Chantilly lace.
Belgian
Laces made with machine-made grounds.
Chantilly
Fine mesh, often with scalloped edges, with delicate scrolls and floral designs.
French
Machine-made lace fabrics that imitate handmade French lace.
Guipure
Heavy lace with large patterns in needlepoint or bobbin.
Schiffli
Machine-made lace with delicate floral embroidery.
Venise
Heavy lace with floral, foliage, or geometric designs.
Re-embroidered, Chantilly lace.
Belgian
Laces made with machine-made grounds.
Chantilly
Fine mesh, often with scalloped edges, with delicate scrolls and floral designs.
French
Machine-made lace fabrics that imitate handmade French lace.
Guipure
Heavy lace with large patterns in needlepoint or bobbin.
Schiffli
Machine-made lace with delicate floral embroidery.
Venise
Heavy lace with floral, foliage, or geometric designs.
Wedding Hairpiece Glossary
Labels: Headpiece, Tips
TIARA – a full or half crown which rests atop the head giving a princess feel.
BOW– a tied bow made of satin or lace and usually adorned with a flower or other embellishments.
WREATH – a small circle of flowers resting on the top of the head or forehead and can also be adorned with ribbon, etc.
HEADBAND – worn as you would a regular headband, this is jazzed up with the use of jewels, rhinestones, pearls and the like
JULIET CAP – a small cap that cups the back of the head.
JULIET CAP – a small cap that cups the back of the head.
MANTILLA – a delicate lace veil.
Wedding Gown Fabric Hot List
Labels: Fabrics, Tips, Wedding GownsBatiste: A lightweight, soft, transparent fabric.
Brocade: A Jacquard-woven fabric with raised designs; traditionally popular for fall and winter, now also worn in warmer weather.
Charmeuse: A lightweight, semi-lustrous soft fabric, that is satin-like to the touch.
Chiffon: Delicate, sheer, and transparent -- made from silk or rayon, with a soft finish; often layered because of its transparency, making it popular for overskirts, sheer sleeves, and wraps.
Crepe: A light, soft, and thin fabric with a crinkled surface.
Damask: Similar to brocade with raised designs, but woven in a much lighter weight.
Duchesse Satin: A lightweight hybrid of silk and rayon (or polyester) woven into a satin finish.
Dupioni: A finish similar to shantung, but with thicker, coarser fibers, and a slight sheen.
Faille: A structured, ribbed finish like grosgrain ribbon; usually quite substantial
.Gabardine: A tightly-woven, firm and durable finish, with single diagonal lines on the face.
Georgette: A sheer, lightweight fabric often made of polyester or silk with a crepe surface.
Illusion: A fine, sheer net fabric, generally used on sleeves or necklines.
Jersey: A very elastic knit fabric; the face has lengthwise ribs and the underside has crosswise ribs.
Moire: A heavy silk taffeta with a subtle, wavy design.
Organdy: A stiff transparent fabric.
Organza: Crisp and sheer like chiffon, with a stiffer texture similar in effect to tulle, but more flowing; popular for skirts, sleeves, backs, and overlays.
Peau de Soie: A soft satin-faced, high-quality cloth with a dull luster, fine ribs, and a grainy appearance.
Pique: A lengthwise rib weave in medium to heavy weights; wrinkles badly unless given a wrinkle-free finish.
Satin: A heavy, smooth fabric with a high sheen on one side; very common in bridal gowns.
Silk Gazar: A four-ply silk organza.
Silk Mikado: A brand of blended silk, usually heavier than 100-percent silk.
Silk-faced Satin: A smooth silk satin, with a glossy front and matte back.
Shantung: Similar to a raw silk, shantung is characterized by its slubbed texture.Taffeta: Crisp and smooth, with a slight rib; not frequently used.
Tulle: Netting made of silk, nylon, or rayon; used primarily for skirts and veils (think ballerina tutus).
Velvet: A soft, thick fabric with a felted face and plain underside.
Wedding Dress Styles
Labels: Advice, Evening Gowns, Tips, Wedding Gowns
There are five major styles to choose from: Romantic, Glamorous, Classic, Beach/Destination and Contemporary.
Romantic
These gowns are characterized by billowy princess or A-line skirts as well as fluted or mermaid skirts with dreamy lace, silk netting, or wispy tulle overlays. Sheath gowns also fall in this category and are usually adorned with features such as lace, crystal and pearl beading. Various necklines, waistlines and bodices can be used and will be accented with embroidery, crystal beading, sequined appliqués and lace.
Glamorous
These dresses are the “walk-down-the-red-carpet" style of dress with body hugging satin or matte-jersey sheath styles that may, or may not, have trains. Reminiscent of the 20's and 30's Nouveau period, these dresses are characterized by long fluted and trumpet style skirts with either tiers, bubble skirts or a slimmer A-line skirt. Feathers may be added for extra flare! This dress style demands dramatic and daring necklines with various waistlines and unusual cuts and panels to the dress. Sequins, beaded overlays, satin roses and appliqués appear on the gown but not in great amounts.
Classic
This “belle of the ball" classic style usually has simple and clean lines defining the elegance of the gown. Waistlines and necklines can vary with this style of dress as do the types of skirts (Princess, soft A-line, ball gown or a fluted hem) as well as the length of the train. Limited amounts of beading, lace accents, and embroidery are found on these dresses in order to maintain their simple nature. Additional accents may be found through the use of a satin sash tied at the waist and draping down the back of the gown. Raw silk, satin, and organza are the most common fabrics for this style of dress.
Beach/Destination
This flowing and breezy style of dress is best suited for those want that windswept beach wedding baring your sun-kissed shoulders as you say “I do”. Beach/Destination style gowns can come with a casual air or fall under a more dramatic style like a light chiffon gown with a fluted skirt. Destination gowns can also be Glamorous with a body hugging sheath dress with a sexy, plunging back or a more humble version of the Romantic style with a lace overlay. A Destination gown can also have informal Classic tones with simple lines of crystal beading on the waistline or on the straps.
Contemporary
This style seems to be very popular either featuring a strapless neckline with a corset bodice and lace-ups at the back. What is nice about this style is that it can accommodate fluctuations in a bride’s weight as the back panel is not only removable but the laces can be loosened or tightened to perfectly fit any bride’s shape. The skirts on this style are usually a full skirt with a sweep train. Crystal beading or lace on the bodice and skirt can lend this style a Classic or Romantic air.
Romantic
These gowns are characterized by billowy princess or A-line skirts as well as fluted or mermaid skirts with dreamy lace, silk netting, or wispy tulle overlays. Sheath gowns also fall in this category and are usually adorned with features such as lace, crystal and pearl beading. Various necklines, waistlines and bodices can be used and will be accented with embroidery, crystal beading, sequined appliqués and lace.
Glamorous
These dresses are the “walk-down-the-red-carpet" style of dress with body hugging satin or matte-jersey sheath styles that may, or may not, have trains. Reminiscent of the 20's and 30's Nouveau period, these dresses are characterized by long fluted and trumpet style skirts with either tiers, bubble skirts or a slimmer A-line skirt. Feathers may be added for extra flare! This dress style demands dramatic and daring necklines with various waistlines and unusual cuts and panels to the dress. Sequins, beaded overlays, satin roses and appliqués appear on the gown but not in great amounts.
Classic
This “belle of the ball" classic style usually has simple and clean lines defining the elegance of the gown. Waistlines and necklines can vary with this style of dress as do the types of skirts (Princess, soft A-line, ball gown or a fluted hem) as well as the length of the train. Limited amounts of beading, lace accents, and embroidery are found on these dresses in order to maintain their simple nature. Additional accents may be found through the use of a satin sash tied at the waist and draping down the back of the gown. Raw silk, satin, and organza are the most common fabrics for this style of dress.
Beach/Destination
This flowing and breezy style of dress is best suited for those want that windswept beach wedding baring your sun-kissed shoulders as you say “I do”. Beach/Destination style gowns can come with a casual air or fall under a more dramatic style like a light chiffon gown with a fluted skirt. Destination gowns can also be Glamorous with a body hugging sheath dress with a sexy, plunging back or a more humble version of the Romantic style with a lace overlay. A Destination gown can also have informal Classic tones with simple lines of crystal beading on the waistline or on the straps.
Contemporary
This style seems to be very popular either featuring a strapless neckline with a corset bodice and lace-ups at the back. What is nice about this style is that it can accommodate fluctuations in a bride’s weight as the back panel is not only removable but the laces can be loosened or tightened to perfectly fit any bride’s shape. The skirts on this style are usually a full skirt with a sweep train. Crystal beading or lace on the bodice and skirt can lend this style a Classic or Romantic air.
Wedding Gloves Terms
Labels: Gloves, Tips
Elbow: Ends just above or below the elbow, and comes in 6-, 8, or 10-button lengths (the buttons extending up the arm)
Fingerless: The finger holes are open.
Fingerless: The finger holes are open.
Gauntlet: A long glove that does not cover the fingers. The end can come to a point over the hand.
Opera: A full, long glove that extends to the top or middle of the upper arm, most often with 12-16 buttons.
Short: The end of the glove is two inches above the wrist, also called a ‘one-button’ glove
Diamonds Are Girls' Best Friend
Labels: Accessories, Diamonds, Tips
Diamonds Are Girls' Best Friend
Choosing A Diamond
Colour-Diamonds come in a myriad of colours to yellowish and brownish to the really rare - like pink, blue, green, red and so on. In general, the more colourless a diamond, the higher its value because it allows light to pass through easily, dispersing a rainbow colours upon exit.
However, that doesn't mean fancy coloured diamonds are worthles! Natural coloured diamonds are rare and therefore more expensive than colourless diamonds.
Clarity-Natural impefections in diamonds are called 'inclusions'. The lesser the inclusions, the more valuable the diamond. A stone will be graded according to the size, number, position, nature and colour of these inclusions. Clarity also refers to transparency. A good stone should not be milky or cloudy because will limit the amount of light it can reflect.
Shape-Commonly confused with the cut o the stone, shape refers to the appearance of the diamond. The common shapes are round, princess, trilliant, heart, oval, emerald, marquise and radiant. "The round diamond shapes in Malaysia and in fact, around the world. It gives out the best fire and scintilation compared to other cuts." says Wong.
Settings
Choosing the right setting to flaunt your stone is a matter of personal preference but there are certain limiting factors. The shape of the stone will narrow the field in terms of settings are designed with a particular shape in mind.
Some factors you'll need to consider include the design of the band, number and combination of stones and overall style. Personally, I believe the diamond should always be the centre of attraction. The setting should be simple to show off the diamond to its best effect.
As diamonds are traditionally valued for the degree of whiteness, white metals such as platinum or white pleated gold with claw or prong settings are most flattering. The claw settings bring out the brilliance of the gemstones.
Caring For Diamonds
Diamonds may be the hardest material on but that doesn't mean it won't be damaged. Avoid knocking your diamond against hard surfaces as this can cause chipping. It is also better to remove your jewellery before bathing, swimming, sleeping, cooking, cleaning or doing heavy work.
For a thorough cleaning, drop your diamond off at a jeweller, who will use an ultrasonic cleanser to shake off accumulated dirt. If the stone is worn regularly, have it cleaned every three to six months; otherwise, a yearly cleaning would be sufficient.
It is also advisable that owners to store each diamond piece separately in soft pouches to avoid scratches or damage.
Choosing A DiamondCut-A well cut diamond will reflect light from side to side, back to the eye so it seems to dazzle with fiery brilliance. If the stone is cut too shallow, light escapes through the bottom, if it's too deep then light escapes through the sides. In both instances, the diamond will loose its sparkle.
Carat-Carat is the standard measure of a diamond's weight so the larger the diamond, the higher is the carat. However, size isn't everything as two diamonds of the same carat can still look very different depending on their cut, clarity and colour.
Colour-Diamonds come in a myriad of colours to yellowish and brownish to the really rare - like pink, blue, green, red and so on. In general, the more colourless a diamond, the higher its value because it allows light to pass through easily, dispersing a rainbow colours upon exit.
However, that doesn't mean fancy coloured diamonds are worthles! Natural coloured diamonds are rare and therefore more expensive than colourless diamonds.
Clarity-Natural impefections in diamonds are called 'inclusions'. The lesser the inclusions, the more valuable the diamond. A stone will be graded according to the size, number, position, nature and colour of these inclusions. Clarity also refers to transparency. A good stone should not be milky or cloudy because will limit the amount of light it can reflect.
Shape-Commonly confused with the cut o the stone, shape refers to the appearance of the diamond. The common shapes are round, princess, trilliant, heart, oval, emerald, marquise and radiant. "The round diamond shapes in Malaysia and in fact, around the world. It gives out the best fire and scintilation compared to other cuts." says Wong.
Settings
Choosing the right setting to flaunt your stone is a matter of personal preference but there are certain limiting factors. The shape of the stone will narrow the field in terms of settings are designed with a particular shape in mind.
Some factors you'll need to consider include the design of the band, number and combination of stones and overall style. Personally, I believe the diamond should always be the centre of attraction. The setting should be simple to show off the diamond to its best effect.
As diamonds are traditionally valued for the degree of whiteness, white metals such as platinum or white pleated gold with claw or prong settings are most flattering. The claw settings bring out the brilliance of the gemstones.
Caring For DiamondsDiamonds may be the hardest material on but that doesn't mean it won't be damaged. Avoid knocking your diamond against hard surfaces as this can cause chipping. It is also better to remove your jewellery before bathing, swimming, sleeping, cooking, cleaning or doing heavy work.
For a thorough cleaning, drop your diamond off at a jeweller, who will use an ultrasonic cleanser to shake off accumulated dirt. If the stone is worn regularly, have it cleaned every three to six months; otherwise, a yearly cleaning would be sufficient.
It is also advisable that owners to store each diamond piece separately in soft pouches to avoid scratches or damage.
Gown Shopping 101
Labels: Advice, Evening Gowns, Tips, Wedding Gowns
Gown Shopping 101
Here are some tips to think about before you start shopping for the perfect gown.
1) It's Gotta Be You
If you are not used to wearing, say, strapless tops or backless dresses, it's most likely you won't feel comfortable in them on your big day. While you may want to try something new for that "wow" factor, your comfort is most important. You don't want to be caught on camera constantly tugging at your bodice or fiddling with your back.
2) A Weighty Issue
If you're happy with your current weight, go ahead and buy your dress in advance. But if you need to lose weight to fit into the dress, don't! Alternatively, you can buy it in your current size and alter it if you were to lose weight. Remember, it's easier to shrink a dress than expand it.
3) Leave Trends At Home
Pictures of your dress will continue to be seen years down the road and you don't want to look back and shudder at the images. So, go for simple dresses that say timeless elegance.
4) Try, Try & Try Again
It is very tempting to whip out your credit card the moment you find the perfect dress, but do resist the temptation. Instead, photograph yourself in several of your shortlisted favourites. Compare the pictures and narrow them down to three. Then, go and try them all once more before swiping that card.
Source: Female Brides
Here are some tips to think about before you start shopping for the perfect gown.
1) It's Gotta Be You
If you are not used to wearing, say, strapless tops or backless dresses, it's most likely you won't feel comfortable in them on your big day. While you may want to try something new for that "wow" factor, your comfort is most important. You don't want to be caught on camera constantly tugging at your bodice or fiddling with your back.
2) A Weighty Issue
If you're happy with your current weight, go ahead and buy your dress in advance. But if you need to lose weight to fit into the dress, don't! Alternatively, you can buy it in your current size and alter it if you were to lose weight. Remember, it's easier to shrink a dress than expand it.
3) Leave Trends At Home
Pictures of your dress will continue to be seen years down the road and you don't want to look back and shudder at the images. So, go for simple dresses that say timeless elegance.
4) Try, Try & Try Again
It is very tempting to whip out your credit card the moment you find the perfect dress, but do resist the temptation. Instead, photograph yourself in several of your shortlisted favourites. Compare the pictures and narrow them down to three. Then, go and try them all once more before swiping that card.
Source: Female Brides
Wedding Traditions : Malay
Labels: Wedding Traditions
Malay weddings are culturally rich with meaningful ceremonies.
Merisik
Merisik literally means 'to spy' in Bahasa Melayu. In this ritual, the parents of the groom send a relative to the prospective bride's house to seek permission and blessings for the marriage. The parents of the bride do the same for the groom. The groom and bride are not present. During the merisik, both sets of parents also discuss the dowry and date of the wedding ceremony. This practise stemmed from the days when it would have been deemed inapproriate for the members of the opposite sex to meet (or date) before marriage.
Bertunang
Once both sets of parents agree to the marriage, the next step is to have the bertunang (engagement) ceremony. The groom's parents send the engagement ring and the dowry (hantaran) to the bride-to-be's home. The hantaran consists of a change of clothes for the bride, money, betel nut, sireh, sweets and pastries to sgnify a sweet married life for the couple.
Akad Nikah
This ceremony, where the kadi solemnises the wedding, takes place at the bride's home. The groom has to repeat the Ijab Kahbul (a contract that binds the bride to the groom) once to the father of the bride and a second time to the kadi.
The Bersanding
On the big day, the groom is escorted by a kampung procession to the bride's house where he is treated to a silat (a form of martial arts) performance before being ushered into the bride's home. The bride and groom are then invited to sit on a beautifully decorated dais called the pelamin. Once seated on the pelamin, the couple are blessed with tepung tawar by the relatives and guests, with wishes for a happy marriage and many children.
After the blessing ceremony, the couple called Raja Sehari, feed each other yellow glutinous rice to symbolise the unity of the newlyweds. (It is believe that the term Raja sehari - King and Queen for a day - dates back to the melaka Sultanate when there was a legal ruling that allowed newlyweds to dress is richly, like kings and queens just for the day)
Makan berdamai
Both the bride and groom's family then sit down together for a meal called makan berdamai. It literally means to 'eat in peace' as it is symbolically the first both the bride and groom have a meal together.
Merisik
Merisik literally means 'to spy' in Bahasa Melayu. In this ritual, the parents of the groom send a relative to the prospective bride's house to seek permission and blessings for the marriage. The parents of the bride do the same for the groom. The groom and bride are not present. During the merisik, both sets of parents also discuss the dowry and date of the wedding ceremony. This practise stemmed from the days when it would have been deemed inapproriate for the members of the opposite sex to meet (or date) before marriage.
Bertunang
Once both sets of parents agree to the marriage, the next step is to have the bertunang (engagement) ceremony. The groom's parents send the engagement ring and the dowry (hantaran) to the bride-to-be's home. The hantaran consists of a change of clothes for the bride, money, betel nut, sireh, sweets and pastries to sgnify a sweet married life for the couple.
Akad Nikah
This ceremony, where the kadi solemnises the wedding, takes place at the bride's home. The groom has to repeat the Ijab Kahbul (a contract that binds the bride to the groom) once to the father of the bride and a second time to the kadi.
The Bersanding
On the big day, the groom is escorted by a kampung procession to the bride's house where he is treated to a silat (a form of martial arts) performance before being ushered into the bride's home. The bride and groom are then invited to sit on a beautifully decorated dais called the pelamin. Once seated on the pelamin, the couple are blessed with tepung tawar by the relatives and guests, with wishes for a happy marriage and many children.
After the blessing ceremony, the couple called Raja Sehari, feed each other yellow glutinous rice to symbolise the unity of the newlyweds. (It is believe that the term Raja sehari - King and Queen for a day - dates back to the melaka Sultanate when there was a legal ruling that allowed newlyweds to dress is richly, like kings and queens just for the day)
Makan berdamai
Both the bride and groom's family then sit down together for a meal called makan berdamai. It literally means to 'eat in peace' as it is symbolically the first both the bride and groom have a meal together.
Wedding Traditions : Tamil
Labels: Wedding Traditions
Indian weddings are usually held in temples.
Checking the astrology
Arranged marriages are still common among the Indian community although love matches are on the rise. For Hindus, consulting the astrologer to check the couple's astrology charts to see whether the couple are compatible is a must. If everything matches, they are given the go-ahead and the couple then prepare for the engagement.
Parisam (The Engagement)
The Parisam announces the betrothal of the couple to friends and relatives. At the ceremony, the groom arrives with seven platters containing different gifts, including jewellery, for the bride.
The bride's family then match the amount of jewellery from the groom., but it is all given to the bride. Agreements on the wedding date and the dowry (if there's any) are reached on that day. After the date is fixed, wedding cards are personally hand delivered to close relatives and friends.
Thirumanam (Wedding Ceremony)
The wedding cere,pny is usually held in a hall or temple and the service of a Prokithar or priest is required to solemnise the wedding. First, the groom is summoned to sit on the manavarai where the marriage is conducted. (In nearly all Hindu weddings, the marriage ceremony is conducted while the couple are seated on the floor). Accompanied by his best friend or brother-in-law, he sits while the priest conducts prayers. After the prayers, the groom washes the feet of his parents to show his filial piety and after more prayers he is then led away while the bride is brought in and undergoes the same ceremony. After the ceremony, she is given a sari (which has been blessed during the prayers), bought by the groom's family. The bride then leaves to change into this new sari.
Three married women are then invited to tie a yellow thali (string) to a tree in the temple. This symbolic act is to wish the newly-weds a happy and prosperous life.
Then to the accompaniment of musicians, both the bride and groom finally sit together on the manavarai. The groom sits on the left while the bride sits on the right. This sitting arrangement means they are not married yet. The parents of the bride and groom then axchange sandalwood, to show their acknowledgement of their new son and daughter. Later, they also distribute grains of rice to their guests which will be thrown on the couple when the thali is tied.
When the groom ties the thali around the bride's neck, he ties three knots on the thali to symbolise that this woman is already married. Husband and wife then change their seating arrangement - he sits on the right and she on the left.
The bride and groom then walk around the manavarai three times. After that the groom places the minji (toe ring) on his bride's foot, another declaration of her married status. This practice comes from the old days when women walked around with downcast eyes. A minji on a man's toe indicated to the women that he is married.
The newlyweds then sit on the wedding dais to receive gifts from the guests. After the ceremony, the bride goes back to the groom's house to start new life as a wife. Three days after the ceremony, the bride and her husband are invited back to her parents' house. A reception is held there, where the bride's mother presents her with household appliances and cooking utensils to wish her a happy wedded life.
Checking the astrology
Arranged marriages are still common among the Indian community although love matches are on the rise. For Hindus, consulting the astrologer to check the couple's astrology charts to see whether the couple are compatible is a must. If everything matches, they are given the go-ahead and the couple then prepare for the engagement.
Parisam (The Engagement)
The Parisam announces the betrothal of the couple to friends and relatives. At the ceremony, the groom arrives with seven platters containing different gifts, including jewellery, for the bride.
The bride's family then match the amount of jewellery from the groom., but it is all given to the bride. Agreements on the wedding date and the dowry (if there's any) are reached on that day. After the date is fixed, wedding cards are personally hand delivered to close relatives and friends.
Thirumanam (Wedding Ceremony)
The wedding cere,pny is usually held in a hall or temple and the service of a Prokithar or priest is required to solemnise the wedding. First, the groom is summoned to sit on the manavarai where the marriage is conducted. (In nearly all Hindu weddings, the marriage ceremony is conducted while the couple are seated on the floor). Accompanied by his best friend or brother-in-law, he sits while the priest conducts prayers. After the prayers, the groom washes the feet of his parents to show his filial piety and after more prayers he is then led away while the bride is brought in and undergoes the same ceremony. After the ceremony, she is given a sari (which has been blessed during the prayers), bought by the groom's family. The bride then leaves to change into this new sari.
Three married women are then invited to tie a yellow thali (string) to a tree in the temple. This symbolic act is to wish the newly-weds a happy and prosperous life.
Then to the accompaniment of musicians, both the bride and groom finally sit together on the manavarai. The groom sits on the left while the bride sits on the right. This sitting arrangement means they are not married yet. The parents of the bride and groom then axchange sandalwood, to show their acknowledgement of their new son and daughter. Later, they also distribute grains of rice to their guests which will be thrown on the couple when the thali is tied.
When the groom ties the thali around the bride's neck, he ties three knots on the thali to symbolise that this woman is already married. Husband and wife then change their seating arrangement - he sits on the right and she on the left.
The bride and groom then walk around the manavarai three times. After that the groom places the minji (toe ring) on his bride's foot, another declaration of her married status. This practice comes from the old days when women walked around with downcast eyes. A minji on a man's toe indicated to the women that he is married.
The newlyweds then sit on the wedding dais to receive gifts from the guests. After the ceremony, the bride goes back to the groom's house to start new life as a wife. Three days after the ceremony, the bride and her husband are invited back to her parents' house. A reception is held there, where the bride's mother presents her with household appliances and cooking utensils to wish her a happy wedded life.
Marrying Tradition : Chinese
Labels: Wedding Traditions
Most Chinese wedding are heavily laden with symbolism that wish the couple a happy life together that is filled with luck and prosperity and many children.
The hair-combing ceremony
The hair-combing ceremony is held the night before the wedding day, between 11pm and 1am. It is performed simultaneously on the bride and groom in their respective homes.
In each home, a married lady who has had a good life and many children is chosen to perform the ceremony. While combing the hair, the ladies performing the ceremony chant three auspicious phrases to bless the about-to-married person with everlasting love, many children and prosperity.
After the ceremony, everyone is served glutinous rice balls (tang yuan) in sweet syrup. This signifies the sweet life the couple will have after their wedding.
Picking up the bride
On the big day, the groom has to arrive at the bride's home at an auspicious time. In the old days, most marriages were arranged and the couple would not have met till this ceremony. this ceremony gave an opportunity for the bride's friends and relatives to get to know the groom.
During the ritual, the bride's friends tease the groom and he has to win the bride by performing certain feats. Nowadays, the groom is made to do things like eating wasabi and chilli to show his love for the bride. All this is done in good fun.
The tea ceremony
The tea ceremony is held twice. Once in the bride's home and then again in the groom's home. During the tea ceremony, the newly-weds present the bride with gifts such as gold, jewellery and money. After that, children of the household serve tea to the couple, who give them 'lucky money' (ang pow).
The idea behind the tea ceremony is to introduce the bride and groom to their respective families. Jewellery and money given during the ceremony is kept by the bride as traditionally women did not own any property or valuables. So, any money and jewellery from the wedding is hers to keep.
The bridal chamber
When the couple enter the bridal chamber in the groom's house, they will be greeted with a spread of sweets and fruits on the marital bed. These items consist of dried longan, red dates, lotus seeds and sweets. There is a reason why these items are chosen.
The red dates & lotus seeds: symbolises the hope for a male heir
The sweets: signify a happy and sweet life
Another tradition that has survived to this day is the filing in of a chamber port with the same food items and sealing it with red paper. When the couple enters the room, a young boy is instructed to tear the red paper on the pot, and reach in and take out the items - this is suppose to ensure that the couple soon have many children.
Going back to the bride's home
After visitng her marital home, the bride changes out of her wedding dress for the return trip to her own home. The bride and groom are then treated as guests in the bride's home. The couple also brings back gifts such as apples with them. Apples are popular because the sound like "peace" in Mandarin.
The hair-combing ceremony
The hair-combing ceremony is held the night before the wedding day, between 11pm and 1am. It is performed simultaneously on the bride and groom in their respective homes.
In each home, a married lady who has had a good life and many children is chosen to perform the ceremony. While combing the hair, the ladies performing the ceremony chant three auspicious phrases to bless the about-to-married person with everlasting love, many children and prosperity.
After the ceremony, everyone is served glutinous rice balls (tang yuan) in sweet syrup. This signifies the sweet life the couple will have after their wedding.
Picking up the bride
On the big day, the groom has to arrive at the bride's home at an auspicious time. In the old days, most marriages were arranged and the couple would not have met till this ceremony. this ceremony gave an opportunity for the bride's friends and relatives to get to know the groom.
During the ritual, the bride's friends tease the groom and he has to win the bride by performing certain feats. Nowadays, the groom is made to do things like eating wasabi and chilli to show his love for the bride. All this is done in good fun.
The tea ceremony
The tea ceremony is held twice. Once in the bride's home and then again in the groom's home. During the tea ceremony, the newly-weds present the bride with gifts such as gold, jewellery and money. After that, children of the household serve tea to the couple, who give them 'lucky money' (ang pow).
The idea behind the tea ceremony is to introduce the bride and groom to their respective families. Jewellery and money given during the ceremony is kept by the bride as traditionally women did not own any property or valuables. So, any money and jewellery from the wedding is hers to keep.
The bridal chamber
When the couple enter the bridal chamber in the groom's house, they will be greeted with a spread of sweets and fruits on the marital bed. These items consist of dried longan, red dates, lotus seeds and sweets. There is a reason why these items are chosen.
The red dates & lotus seeds: symbolises the hope for a male heir
The sweets: signify a happy and sweet life
Another tradition that has survived to this day is the filing in of a chamber port with the same food items and sealing it with red paper. When the couple enters the room, a young boy is instructed to tear the red paper on the pot, and reach in and take out the items - this is suppose to ensure that the couple soon have many children.
Going back to the bride's home
After visitng her marital home, the bride changes out of her wedding dress for the return trip to her own home. The bride and groom are then treated as guests in the bride's home. The couple also brings back gifts such as apples with them. Apples are popular because the sound like "peace" in Mandarin.
4 Steps In Finding You Dream Gowns
Labels: Advice, Tips, Wedding Gowns
4 Steps In Finding You Dream Gowns
Looking for the perfect gown is a huge challenge, finding the perfect fit is even more so. Throw in all the fashion jargon like "bateau" and "mermaid' and nobody can blame the hapless bride-to-be for feeling lost.
"So what type of gown will suit me best?" This is a question that brides-to-be from all around the world agonise about and ask over and over again. And it is an important question. Just because a dress comes in your size, it doesn't mean that it will look good on you.
All women are shaped differently, and it is precisely because of this that there are different types of wedding gowns available. Some body types just don't do well in certain dresses. And you know you wanna look as stunning as possible on your Big Day. So pick the right one and you'll be beaming your way down the aisle.
Before going gown shopping, it will save you some trouble to find out about the various dress types that will be most flattering to your body type. This will also help you to narrow down your choices from the hundreds of gowns available off-the-rack so that your gown shopping trip will be less stressful.
Beauty comes in all shapes and sizes. So the best way is to focus on the real image of yourself and understand your own figure shape and height. These are the factors that will strongly influence your final choice of wedding gowns.
Let's go through the basic steps to picking the perfect fit.
Step 1: Indentify your body type
1) Petite - You're small in size and dainty in stature
2) Thin - No matter if you're short or tall, there's not much flesh on your body
3) Pear-shaped - Small on top and heavy on the bottom
4) Small Waist - Your body is naturally proportioned, except the small distance from your ribs to your hips
5) Thick Waist - Your body is naturally proportioned, with an undefined waist
6) Hourglass - Curves in all the right places
Step 2: Pick a skirt
From our previous post, you had learnt that there are many types of skirts such as Ballgown, Empire Line, A-Line, Mermaid and etc. Click here to refresh yourself ---> http://neoweddinggown.blogspot.com/2008/09/dress-sillhouete.html
Step 3: Choose your neckline
We too had explained to you what body types suit what kinda of necklines in our previous post. http://neoweddinggown.blogspot.com/2008/09/choosing-gowns-neckline-according-to.html
And the many types of neckline here. http://neoweddinggown.blogspot.com/2008/09/wedding-gowns-neckline.html
Step 4: Flaunt it!
The right dress can mean all the difference! No matter what body type you have, there will be a wedding dress out there that is perfect for you. Now that you have the perfect fit, FLAUNT IT!
Looking for the perfect gown is a huge challenge, finding the perfect fit is even more so. Throw in all the fashion jargon like "bateau" and "mermaid' and nobody can blame the hapless bride-to-be for feeling lost.
"So what type of gown will suit me best?" This is a question that brides-to-be from all around the world agonise about and ask over and over again. And it is an important question. Just because a dress comes in your size, it doesn't mean that it will look good on you.
All women are shaped differently, and it is precisely because of this that there are different types of wedding gowns available. Some body types just don't do well in certain dresses. And you know you wanna look as stunning as possible on your Big Day. So pick the right one and you'll be beaming your way down the aisle.
Before going gown shopping, it will save you some trouble to find out about the various dress types that will be most flattering to your body type. This will also help you to narrow down your choices from the hundreds of gowns available off-the-rack so that your gown shopping trip will be less stressful.
Beauty comes in all shapes and sizes. So the best way is to focus on the real image of yourself and understand your own figure shape and height. These are the factors that will strongly influence your final choice of wedding gowns.
Let's go through the basic steps to picking the perfect fit.
Step 1: Indentify your body type
1) Petite - You're small in size and dainty in stature
2) Thin - No matter if you're short or tall, there's not much flesh on your body
3) Pear-shaped - Small on top and heavy on the bottom
4) Small Waist - Your body is naturally proportioned, except the small distance from your ribs to your hips
5) Thick Waist - Your body is naturally proportioned, with an undefined waist
6) Hourglass - Curves in all the right places
Step 2: Pick a skirt
From our previous post, you had learnt that there are many types of skirts such as Ballgown, Empire Line, A-Line, Mermaid and etc. Click here to refresh yourself ---> http://neoweddinggown.blogspot.com/2008/09/dress-sillhouete.html
Step 3: Choose your neckline
We too had explained to you what body types suit what kinda of necklines in our previous post. http://neoweddinggown.blogspot.com/2008/09/choosing-gowns-neckline-according-to.html
And the many types of neckline here. http://neoweddinggown.blogspot.com/2008/09/wedding-gowns-neckline.html
Step 4: Flaunt it!
The right dress can mean all the difference! No matter what body type you have, there will be a wedding dress out there that is perfect for you. Now that you have the perfect fit, FLAUNT IT!
How To Make Shorter Legs Look Longer In Photos
Labels: Advice, Tips, Wedding Traditions
How To Make Shorter Legs Look Longer In Photos
Do you have short legs and a long torso? Or do you simply have short legs. For the illusions of height the photographer will normally place the camera slightly below the waist but above the knee level to capture an 'extended' body.
Another tip is placing props in the background on lower points so that you appear taller in comparison.
The dress that you wear can also make a huge difference as well. High heels are essential too.
Source: Female Brides
Do you have short legs and a long torso? Or do you simply have short legs. For the illusions of height the photographer will normally place the camera slightly below the waist but above the knee level to capture an 'extended' body.
Another tip is placing props in the background on lower points so that you appear taller in comparison.
The dress that you wear can also make a huge difference as well. High heels are essential too.
Source: Female Brides
How To Make Wide Waist Look Smaller In Photos
Labels: Advice, Tips, Wedding Traditions
How To Make Wide Waist Look Smaller In Photos
Think your waist area is somewhat horizontally challenged or that your bulging tummy bears a scary resemblance to your fiance's beer paunch? The common perception is that the camera adds on 4.5 kg. If this is true, then you could be in trouble. Fortunately, this is true only when you are standing in certain positions.
The bride should stand at a certain angle. Do not stand facing the camera head-on. Instead, stand at 45 degree sideway angle to slim down the body. As for an obvious tummy, the photographer will usually advise the bride to breathe in and hold right before they click the camera.
Another optical illusion that you can try on is leaning backwards. Remember that the object closer to the camera will seem larger. Stand with one leg forward and place your weight on your back foot. Your waist area will appear smaller comparison to your lower body.
Source: Female Brides
Think your waist area is somewhat horizontally challenged or that your bulging tummy bears a scary resemblance to your fiance's beer paunch? The common perception is that the camera adds on 4.5 kg. If this is true, then you could be in trouble. Fortunately, this is true only when you are standing in certain positions.
The bride should stand at a certain angle. Do not stand facing the camera head-on. Instead, stand at 45 degree sideway angle to slim down the body. As for an obvious tummy, the photographer will usually advise the bride to breathe in and hold right before they click the camera.
Another optical illusion that you can try on is leaning backwards. Remember that the object closer to the camera will seem larger. Stand with one leg forward and place your weight on your back foot. Your waist area will appear smaller comparison to your lower body.
Source: Female Brides
How To Make Fat Arms Look Slimmer In Photos
Labels: Advice, Tips, Wedding Gowns
How To Make Fat Arms Look Slimmer In Photos
Now that you know to look good (your face) in photos. Now it's time to learn how to make your arm slimmer in photos. ;)
The general idea is simply NOT to place your arms so close to your body that the flabby bits are pressed and accentuated. Push your arms outwards and bend your shoulders slightly to the front for the best slimming pose. You can also rest your elbow on something at your chest level while pushing your shoudlers upwards, near to your face. Your arms will appear slimmer and the attention will be drawn to your face instead.
As much as possible, try to avoid standing in such a way that the side of your arms directly faces the camera. This will only showcase its size.
Cover-ups are a good solution as well. A sheer shawl will do a great job covering up your arms while making you look demure.
If you're not into extr pieces, work on your dress itself. An off-shoulder dress can cover your arms while drawing attention to your shoulders and neck.
Source: Female Bride
Now that you know to look good (your face) in photos. Now it's time to learn how to make your arm slimmer in photos. ;)
The general idea is simply NOT to place your arms so close to your body that the flabby bits are pressed and accentuated. Push your arms outwards and bend your shoulders slightly to the front for the best slimming pose. You can also rest your elbow on something at your chest level while pushing your shoudlers upwards, near to your face. Your arms will appear slimmer and the attention will be drawn to your face instead.
As much as possible, try to avoid standing in such a way that the side of your arms directly faces the camera. This will only showcase its size.
Cover-ups are a good solution as well. A sheer shawl will do a great job covering up your arms while making you look demure.
If you're not into extr pieces, work on your dress itself. An off-shoulder dress can cover your arms while drawing attention to your shoulders and neck.
Source: Female Bride
How To Be Picture Perfect?
Labels: Advice, Photography, Tips
How To Be Picture Perfect?
One of the reasons behind fake smile is because yu're posing in front of a stranger, which is the photographer. You must be comfortable with the photographer before you begin shooting. Good interaction with him/her is extremely important for both parties. Only then will you be able to pull of natural and cheerful expressions.
What I personally suggest is that you have a short and simple discussions with the photographer one day or a few days before the photoshoot. A good photographer would ask you how you wanted your photos to be? Emo feel? Happy feel? And a REALLY GOOD one will make sure that you feel comfortable talking to him/her. And a REALLY REALLY GOOD one will even jokes and make you laugh so that you feel more relax. If you found out that you feel intimidated by the photographer, DEMAND TO CHANGE ANOTHER ONE! Seriously~ Or else, be prepare to see yourself looking like Mr. Joker, or worst, looking like one of the Teletubbies.
And remember that you don't always have to say cheese to get the smile you want. In fact, that is usually the cause of fake smiles. During the photoshoot, try to take your mind of from thinking about those serious stuffs and just HAVE FUN! Imagine yourself are one day model and you are looking as wonderful as *insert a model's name* to make yourself more confident. A natural smile will twitch at the corners of your mouth and you shouldn't hold it back. If you don't know what kind of smile looks best on you, practise in front of a mirror prior to the photoshoot.
Do sleep earlier the night before the photoshoot to have that natural glow in you. Because "photos touchups" couldn't edit those tired looking eyes that only open half on each photos. So having enough rest is crucial to have that shiny looking bright eyes.
That's all for today, next update would be on how to pose to avoid looking like Incredible Hulk. :)
Source: Female Brides; Bolded Words: Original
Pre-wedding photoshoot is like one of the most important thing in a wedding. Because it does brings back really sweet memories when you look at the album ten years later. Besides reminding you of the memories you had during the photoshoot and the wedding preparations, it also reminds you on how beautiful you looked a decade ago. XD But what if the photos you took turned out weirder than Mr. Joker? I'm sure you'll feel really disappointed rite. So to avoid that from happening, here are some pointers on how to look fabulous in photos!
Remember that forced, eager-to-please smile you put on whenever you're listening to your boss tell a joke which you don't actually get it. -_-" Yes, we've all been through that. But the thing is, that kind of smile on your pre-wedding shoot can spell D.I.S.A.S.T.E.R.One of the reasons behind fake smile is because yu're posing in front of a stranger, which is the photographer. You must be comfortable with the photographer before you begin shooting. Good interaction with him/her is extremely important for both parties. Only then will you be able to pull of natural and cheerful expressions.
What I personally suggest is that you have a short and simple discussions with the photographer one day or a few days before the photoshoot. A good photographer would ask you how you wanted your photos to be? Emo feel? Happy feel? And a REALLY GOOD one will make sure that you feel comfortable talking to him/her. And a REALLY REALLY GOOD one will even jokes and make you laugh so that you feel more relax. If you found out that you feel intimidated by the photographer, DEMAND TO CHANGE ANOTHER ONE! Seriously~ Or else, be prepare to see yourself looking like Mr. Joker, or worst, looking like one of the Teletubbies.
And remember that you don't always have to say cheese to get the smile you want. In fact, that is usually the cause of fake smiles. During the photoshoot, try to take your mind of from thinking about those serious stuffs and just HAVE FUN! Imagine yourself are one day model and you are looking as wonderful as *insert a model's name* to make yourself more confident. A natural smile will twitch at the corners of your mouth and you shouldn't hold it back. If you don't know what kind of smile looks best on you, practise in front of a mirror prior to the photoshoot.
Do sleep earlier the night before the photoshoot to have that natural glow in you. Because "photos touchups" couldn't edit those tired looking eyes that only open half on each photos. So having enough rest is crucial to have that shiny looking bright eyes.
That's all for today, next update would be on how to pose to avoid looking like Incredible Hulk. :)
Source: Female Brides; Bolded Words: Original
Wedding Gown : Hemlines
Labels: Advice, Tips, Wedding Gowns
Wedding Gown : Hemlines
Hemlines: The bottom edge of the skirt
1) Floor - The hem on this gown brushes the floor on all sides. A wonderful formal look that works well on both straight and full gown styles
2) Ankle - Ankle-length gown is hemmed right at the ankles. A nice semi-formal option that can either be full or formfitting
3) Ballerina - Just like the name implies, the ballerina features a full skirt (think tutu) that reachesto just above the ankles. Great fun and very flirty - ideal for an outdoor wedding.
4) Intermission - This hem falls anywhere between the knee and the ankle. Perfect for a semiformal or more casual affair.
5) Tea Length - A gown hemmed to a few inches below the knee. This may be as seen as a slightly conservative option, but with a modern twist.
6) Hi-Lo - A variation of the intermission, the hi-lo features an interesting hem on the front, and a floor-length (or longer) hem in the back. This is actually a popular look for bridesmaids as well.
7) Accordion Pleats - Close together pleats that boast folds resembling the bellows of an accordion. The edges all face in the same direction.
8) Box Pleats - Flds of fabric pressed up on top to form a flat, box-shaped pleat; an inverted pleat is formed between each box pleat
Hemlines: The bottom edge of the skirt
1) Floor - The hem on this gown brushes the floor on all sides. A wonderful formal look that works well on both straight and full gown styles
2) Ankle - Ankle-length gown is hemmed right at the ankles. A nice semi-formal option that can either be full or formfitting
3) Ballerina - Just like the name implies, the ballerina features a full skirt (think tutu) that reachesto just above the ankles. Great fun and very flirty - ideal for an outdoor wedding.
4) Intermission - This hem falls anywhere between the knee and the ankle. Perfect for a semiformal or more casual affair.
5) Tea Length - A gown hemmed to a few inches below the knee. This may be as seen as a slightly conservative option, but with a modern twist.
6) Hi-Lo - A variation of the intermission, the hi-lo features an interesting hem on the front, and a floor-length (or longer) hem in the back. This is actually a popular look for bridesmaids as well.
7) Accordion Pleats - Close together pleats that boast folds resembling the bellows of an accordion. The edges all face in the same direction.
8) Box Pleats - Flds of fabric pressed up on top to form a flat, box-shaped pleat; an inverted pleat is formed between each box pleat
Wedding Gown's Waistline
Labels: Advice, Tips, Wedding Gowns
Wedding Gown's Waistline
Empire - The Empire features a seam based high on the waist, just below the bust line. The skirt falls in a slight A-line and is named after the style's popularity during the Empire period in France.
Good For: Brides with smaller bust (add emphasis); the waist-maximising cut allows extra room for brides who want to divert attention away from their tummy or are pregnant.
Not Good For: Brides with a big bust (it tends to make you appear top-heavy) or full hips.
Natural - The seam of this waistline lies, as the name implies, at the natural waist, which is the indentation between the hip and ribcage.
Good For: Almost everyone.
Not Good For: Anyone wider around the middle.
Basque - The Basque waist forms an elongated triangle beneath your own natural waistline. This style diminishes the width of the dress at the waist.
Good For: Full or hourglass figures and those seeking less emphasis on the hips.
Not Good For: Large tummies or the pregnant.
Asymmetrical - An Asymmetrical bodice features a change in waist height from one side of the dress to the other. The extent to which this stule flatters certain figures may vary, depending on the cut.
Dropped - The dropped waist falls several inches below your natural waistline.
Good For: Elongating the torso.
Not Good For: Those with narrow shoulders (gives you an A shape) or long waists (adds extra length).
Empire - The Empire features a seam based high on the waist, just below the bust line. The skirt falls in a slight A-line and is named after the style's popularity during the Empire period in France.
Good For: Brides with smaller bust (add emphasis); the waist-maximising cut allows extra room for brides who want to divert attention away from their tummy or are pregnant.
Not Good For: Brides with a big bust (it tends to make you appear top-heavy) or full hips.
Natural - The seam of this waistline lies, as the name implies, at the natural waist, which is the indentation between the hip and ribcage.
Good For: Almost everyone.
Not Good For: Anyone wider around the middle.
Basque - The Basque waist forms an elongated triangle beneath your own natural waistline. This style diminishes the width of the dress at the waist.
Good For: Full or hourglass figures and those seeking less emphasis on the hips.
Not Good For: Large tummies or the pregnant.
Asymmetrical - An Asymmetrical bodice features a change in waist height from one side of the dress to the other. The extent to which this stule flatters certain figures may vary, depending on the cut.
Dropped - The dropped waist falls several inches below your natural waistline.
Good For: Elongating the torso.
Not Good For: Those with narrow shoulders (gives you an A shape) or long waists (adds extra length).
Wedding Gown's Train
Labels: Advice, Tips, Wedding Gowns
Wedding Gown's Train
The train is the elongated back portion of the gown that lies on the floor and trails behind the bride.
1) Sweep - The shortest train, extending back one-and-a-half feet or less from where the gown hits the floor. Also known as a "brush"
2) Watteau - A train that attaches to the gown at the shoulders and falls loosely to the hem of the dress
3) Court - The same length as a sweep train, the court train extends directly from the waist
4) Chapel - A very popular length, the chapel extends from three-and-a-half to four-and-a-half feet from the waist
5) Cathedral - A very formal option, the Cathedral extends six-and-a-half to seven-and-a-half feet from the waist
6) Panel - A separate simple panel of fabric about a foot wide that acts as a train. It can be court or chapel length and is often detachable to add versatility
7) Monarch - Also known as "Royal", this version extends twelve feet or more from the waist.
The train is the elongated back portion of the gown that lies on the floor and trails behind the bride.
1) Sweep - The shortest train, extending back one-and-a-half feet or less from where the gown hits the floor. Also known as a "brush"
2) Watteau - A train that attaches to the gown at the shoulders and falls loosely to the hem of the dress
3) Court - The same length as a sweep train, the court train extends directly from the waist
4) Chapel - A very popular length, the chapel extends from three-and-a-half to four-and-a-half feet from the waist
5) Cathedral - A very formal option, the Cathedral extends six-and-a-half to seven-and-a-half feet from the waist
6) Panel - A separate simple panel of fabric about a foot wide that acts as a train. It can be court or chapel length and is often detachable to add versatility
7) Monarch - Also known as "Royal", this version extends twelve feet or more from the waist.
Choosing Gown's Neckline According To Your Body Shape
Labels: Advice, Tips, Wedding Gowns
Choosing Gown's Neckline According To Your Body Shape
Big Bust
Go For:
1) Elements such as lines and patterns that are consistent throughout the dress, which will draw attention to the face and the flow to the dress
2) Dresses with straps for extra support. If you prefer strapless gowns, look for a neckline with a slight dip (e.g sweetheart) that shows off cleavage tastefully
3) Scoop, boat and square necklines and off-shoulder styles to open-up your face and neckwithout showing too much of cleavage.
Avoid:
1) High necklines (e.g jewel or bateau) that make breasts look droopy
2) Straight horizontal necklines that make breasts look too big for the dress
3) Empire waistline that can give the illusion of a big stomach
4) Fabrics with sheen (e.g silk) or material that ruched
Small Bust
Go For:
1) Designs with details on the bodice such as beads, crystals, ruffles, gathering, etc. These add volume and give the illusion of a fuller bust line
2) High, jewel or bateau necklines that make the bust seem larger due to the curve of the material from the neck to the bust
3) Low-cut lines such as "V" halters, scoop, square and spaghetti straps. Add padding for a cleavage if needed
Avoid:
1) Designs with simple, straiht lines that are repetitive
2) Dresses that gape at the neckline such as off-shoulder styles and sweetheart necklines, which only work to enhance larger chest
Long Legs
Go For:
1) Dresses that hug the figure, such as sheath and memaid cuts, while more voluptuous brides can try the empire or A-line cuts
2) Lower waistlines, floor sweeping hems and trains for a flattering style
3) Two-piece dresses such as a bodice and skirt in different shades or petterns. The separate pieces will help break up a long silhoutte
Avoid:
1) Too many details on the dress as this looks overwhelming on a tall silhouette
2) High necklines that elongate the body, making legs appear even longer
3) Skirts that end at the ankles and sleeves that end before the wrists - it will seem as though the dress is a size too small
Short Legs
Go For:
1) A-line dresses with natural waistlines as they elongate the silhouette, making a short bride appear taller
2) High waistlines that are above the natural waist, to elongate the lower body
3) Small design details that are limited to the bodice of the dress. This draws attention to the upper body and will not overpower short silhouettes
Avoid:
1) Full skirts and ball gowns - short legs can get lost in them
2) Dresses with dropped waistlines as they'll only make the leg look shorter
3) Anything that ends at the calves. Try floor sweeping or knee-length skirts instead.
Broad Shoulders
Go For:
1) Dresses with straps that will "close up" some shoulder space or halter dresses that flatter broad shoulders
2) High, round, sweetheart, scooped, "V" or "U" necklines
3) Sheer, flowing fabric that gives the illusion of softer shoulders
4) A full or A-line skirt, which is in proportion to the width of your shoulders
Avoid:
1) Short, puffed or off-shoulder sleeves and bolero jackets
2) Asymmetrical necklines that make your shoulders look disproportionate
3) Big design details on or around the shoulder or arm area, as they call attention to the broadness of the shoulders
Narrow Shoulders
Go For:
1) Off-shoulder and strapless dresses that will make your shoulders look broader. Necklines for these styles can be straight, round or sweetheart.
2) Potrait, scoop or boat necklines that are wide enough to define the collarbone
3) Full arm and cap sleeves that create the illusion of wider shoulders
Avoid:
1) Spaghetti straps or halter tops, or high, narrow "V" and "U" necklines which reduce shoulder width
2) Anything that draws attention to the centre of the body (eg. vertical lines leading to the waistlines as they highlight the fact that the hips are wider than the shoulders
Wide Hips
Go For:
1) Flared skirts such as A-line or princess line, or those with higher waistlines. The skirt should flow away from the body at the waist or hips
2) Broad necklines such as scoop, bateau, off-shoulder and potrait
3) Design details such as ruffles, gathering or bows on the bodice, below the hips and on the back
Avoid:
1) Dresses that are tight on the hips, such as mermaid and sheath styles
2) High necklines such as collar, Queen Anne and halter that elongate the upper body and make wide hips more prominent
3) Design details at the waist or hip areas, which add unwanted volume
Narrow Hips
Go For:
1) The right style and cut (e.g the sheath with a bias cut at the waistline creates curves where there are none and emphasise any that you do have)
2) Dresses that clinch in at your natural waist and descend into a slight A-line skirt to accentuate your slim body and hide the lack of curves around the hips
3) Skirts with heavy design details or layers to add volume to your silhouette
Avoid:
1) Full skirts or ballerina dresses as they emphasize your (lack of) hips
2) Plain dresses - the plainer it is, the more obvious your lack of curves will be
3) Styles that hug the figure too tightly, such as mermaid dress. It's more suitable for the bride with an hourglass figure
Flabby Arms
Go For:
1) Portrait necklines that frame the shoulders and collarbones while hiding fuller arms, and halter V-line dresses that emphasise your face and bust
2) A loose-fitting cut or thin, sheer fabric such as chiffon which doesn't wrap around your arms too tightly
3) Cover ups such as a wrap, shawl, bolero jacket or a really long veil. Something's that sheer or with details to take attention away from your arms
4) Long sheer sleeves that lend an airy, romantic vibe while hiding your arms
Avoid:
1) Spaghetti strap or strapless dresses without any cover-up
2) Off-shoulder dresses, fitted sleeves or satin sleeves
3) Bodice with sleeves that stop at the edge of the shoulders
Big Bust
Go For:
1) Elements such as lines and patterns that are consistent throughout the dress, which will draw attention to the face and the flow to the dress
2) Dresses with straps for extra support. If you prefer strapless gowns, look for a neckline with a slight dip (e.g sweetheart) that shows off cleavage tastefully
3) Scoop, boat and square necklines and off-shoulder styles to open-up your face and neckwithout showing too much of cleavage.
Avoid:
1) High necklines (e.g jewel or bateau) that make breasts look droopy
2) Straight horizontal necklines that make breasts look too big for the dress
3) Empire waistline that can give the illusion of a big stomach
4) Fabrics with sheen (e.g silk) or material that ruched
Small Bust
Go For:
1) Designs with details on the bodice such as beads, crystals, ruffles, gathering, etc. These add volume and give the illusion of a fuller bust line
2) High, jewel or bateau necklines that make the bust seem larger due to the curve of the material from the neck to the bust
3) Low-cut lines such as "V" halters, scoop, square and spaghetti straps. Add padding for a cleavage if needed
Avoid:
1) Designs with simple, straiht lines that are repetitive
2) Dresses that gape at the neckline such as off-shoulder styles and sweetheart necklines, which only work to enhance larger chest
Long Legs
Go For:
1) Dresses that hug the figure, such as sheath and memaid cuts, while more voluptuous brides can try the empire or A-line cuts
2) Lower waistlines, floor sweeping hems and trains for a flattering style
3) Two-piece dresses such as a bodice and skirt in different shades or petterns. The separate pieces will help break up a long silhoutte
Avoid:
1) Too many details on the dress as this looks overwhelming on a tall silhouette
2) High necklines that elongate the body, making legs appear even longer
3) Skirts that end at the ankles and sleeves that end before the wrists - it will seem as though the dress is a size too small
Short Legs
Go For:
1) A-line dresses with natural waistlines as they elongate the silhouette, making a short bride appear taller
2) High waistlines that are above the natural waist, to elongate the lower body
3) Small design details that are limited to the bodice of the dress. This draws attention to the upper body and will not overpower short silhouettes
Avoid:
1) Full skirts and ball gowns - short legs can get lost in them
2) Dresses with dropped waistlines as they'll only make the leg look shorter
3) Anything that ends at the calves. Try floor sweeping or knee-length skirts instead.
Broad Shoulders
Go For:
1) Dresses with straps that will "close up" some shoulder space or halter dresses that flatter broad shoulders
2) High, round, sweetheart, scooped, "V" or "U" necklines
3) Sheer, flowing fabric that gives the illusion of softer shoulders
4) A full or A-line skirt, which is in proportion to the width of your shoulders
Avoid:
1) Short, puffed or off-shoulder sleeves and bolero jackets
2) Asymmetrical necklines that make your shoulders look disproportionate
3) Big design details on or around the shoulder or arm area, as they call attention to the broadness of the shoulders
Narrow Shoulders
Go For:
1) Off-shoulder and strapless dresses that will make your shoulders look broader. Necklines for these styles can be straight, round or sweetheart.
2) Potrait, scoop or boat necklines that are wide enough to define the collarbone
3) Full arm and cap sleeves that create the illusion of wider shoulders
Avoid:
1) Spaghetti straps or halter tops, or high, narrow "V" and "U" necklines which reduce shoulder width
2) Anything that draws attention to the centre of the body (eg. vertical lines leading to the waistlines as they highlight the fact that the hips are wider than the shoulders
Wide Hips
Go For:
1) Flared skirts such as A-line or princess line, or those with higher waistlines. The skirt should flow away from the body at the waist or hips
2) Broad necklines such as scoop, bateau, off-shoulder and potrait
3) Design details such as ruffles, gathering or bows on the bodice, below the hips and on the back
Avoid:
1) Dresses that are tight on the hips, such as mermaid and sheath styles
2) High necklines such as collar, Queen Anne and halter that elongate the upper body and make wide hips more prominent
3) Design details at the waist or hip areas, which add unwanted volume
Narrow Hips
Go For:
1) The right style and cut (e.g the sheath with a bias cut at the waistline creates curves where there are none and emphasise any that you do have)
2) Dresses that clinch in at your natural waist and descend into a slight A-line skirt to accentuate your slim body and hide the lack of curves around the hips
3) Skirts with heavy design details or layers to add volume to your silhouette
Avoid:
1) Full skirts or ballerina dresses as they emphasize your (lack of) hips
2) Plain dresses - the plainer it is, the more obvious your lack of curves will be
3) Styles that hug the figure too tightly, such as mermaid dress. It's more suitable for the bride with an hourglass figure
Flabby Arms
Go For:
1) Portrait necklines that frame the shoulders and collarbones while hiding fuller arms, and halter V-line dresses that emphasise your face and bust
2) A loose-fitting cut or thin, sheer fabric such as chiffon which doesn't wrap around your arms too tightly
3) Cover ups such as a wrap, shawl, bolero jacket or a really long veil. Something's that sheer or with details to take attention away from your arms
4) Long sheer sleeves that lend an airy, romantic vibe while hiding your arms
Avoid:
1) Spaghetti strap or strapless dresses without any cover-up
2) Off-shoulder dresses, fitted sleeves or satin sleeves
3) Bodice with sleeves that stop at the edge of the shoulders
Wedding Gowns : Neckline
Labels: Advice, Tips, Wedding Gowns
Wedding Gowns : The Neckline
Here is a thing or two about the neckline of the wedding gowns that a bride need to know when choosing a perfect gown for herself. In my opinion, neckline plays an important part too besides the gown's silhouette. Because if a bride chooses a gown which is totally wrong for her, the whole gown will look totally weird on her. So here are some standard necklines that you will need to know.
High Collar
A band collar that extends up the neck. The mandarin version of this style is taken from traditional Asian dress, and doesn't quite meet at the centre front.
Bateau
The wide-necked shape follows the curve of the collarbone, almost to the tip of the shoulders. The Sabrina version - made popular by Audrey Hepburn - is sleeveless; the front and back panels just touch at the shoulders, sometime with thin straps.
Jewel
Also known as the T-shirt neckline, the jewel neckline is round and sits at the base of the throat.
Potrait
Characterised by a wide, soft scoop from shoulder to shoulder.
Sweetheart
A low-cut neckline shaped like the top half of a heart, accentuating the decolletage. Often done with an overlay of sheer material that rises higher, elongating the torso and neck.
Scoop
Also known as ballerina neckline, this U-shaped style is often cut low, and occasionally the scoop will continue at the back of the dress.
V-Neck
The neckline dips down at the front in a flattering V, elongating the neckline and de-emphasizing the bust line.
Square
The name gives this one away; the neckline is cut straight across the front.
Halter
The halter feature straps that wrap around the neck, or a high neck with deep armholes. This is often backless.
Off the Shoulder
This neckline sits below the shoulders, with sleeve-like straps that cover part of the upper arm. Shows off your collarbone and shoulders.
Spaghetti Strap
This neckline is nearly strapless, except for the presence of thin, delicate straps. A bit like strings of spaghetti.
Strapless
The bodice is usually cut straight across, but it can also peak on the sides or have a slight dip in the centre.
Asymmetrical
Asymmetrical by it's very definition means there is no symmetry or no balance. So this neckline appears different on either side of the centre front.
Here is a thing or two about the neckline of the wedding gowns that a bride need to know when choosing a perfect gown for herself. In my opinion, neckline plays an important part too besides the gown's silhouette. Because if a bride chooses a gown which is totally wrong for her, the whole gown will look totally weird on her. So here are some standard necklines that you will need to know.
High Collar
A band collar that extends up the neck. The mandarin version of this style is taken from traditional Asian dress, and doesn't quite meet at the centre front.
Bateau
The wide-necked shape follows the curve of the collarbone, almost to the tip of the shoulders. The Sabrina version - made popular by Audrey Hepburn - is sleeveless; the front and back panels just touch at the shoulders, sometime with thin straps.
Jewel
Also known as the T-shirt neckline, the jewel neckline is round and sits at the base of the throat.
Potrait
Characterised by a wide, soft scoop from shoulder to shoulder.
Sweetheart
A low-cut neckline shaped like the top half of a heart, accentuating the decolletage. Often done with an overlay of sheer material that rises higher, elongating the torso and neck.
Scoop
Also known as ballerina neckline, this U-shaped style is often cut low, and occasionally the scoop will continue at the back of the dress.
V-Neck
The neckline dips down at the front in a flattering V, elongating the neckline and de-emphasizing the bust line.
Square
The name gives this one away; the neckline is cut straight across the front.
Halter
The halter feature straps that wrap around the neck, or a high neck with deep armholes. This is often backless.
Off the Shoulder
This neckline sits below the shoulders, with sleeve-like straps that cover part of the upper arm. Shows off your collarbone and shoulders.
Spaghetti Strap
This neckline is nearly strapless, except for the presence of thin, delicate straps. A bit like strings of spaghetti.
Strapless
The bodice is usually cut straight across, but it can also peak on the sides or have a slight dip in the centre.
Asymmetrical
Asymmetrical by it's very definition means there is no symmetry or no balance. So this neckline appears different on either side of the centre front.
Simple Tips And Tricks to Make Plain Heel Aisle Worthy
Labels: Accessories, Advice, DIY, Shoes, TipsSimple Tips And Tricks to Make Plain Heel Aisle Worthy
1) Glue two strips of ribbons along the curves of a covered heel for a classy touch. One strip should start from the left side to the right front side and the other from the right back side to just where the ribbons intersect. Tuck the shorter piece underneath the longer piece and glue it so it can't be seen.
2) Buy ready made strips of sequins or patterned beads (already sewed together) and glue them on to the straps of the heels or along the edges of a flat front strap.
3) You can also use lace as a covering for covered, peep-toe or strappy heels. Use a lace cloth for covered or peep-toe heels. Cut according to the size needed then glue on starting from the middle of the shoe to the sides. You may need to fold or tuck extra cloth along the sides. Hide these folds with a thin strip of ribbon.
4) Plain coloured shoes can be hard to find so if you need a particular shade to match your gown, use ribbons to cover the straps of the heels. Remember to cover the soles and heel with fabric also. This will work better with strappy heels as they're easier to cover with ribbons.Source: Female Brides
Dress Sillhouete
Labels: Advice, Tips, Wedding Gowns
The Ball Gown
The most traditional of all shapes, te ball gown is typified by a fitted bodice and natural or dropped waistline that leads to a very full skirt. Pleats or gathers in the skirt are what make it a ball gown.
Good For: skinny minnies (add curves) and pear shapes (the skirt hides everything)
Bad For: the petite (the excess fabric can overwhelm tiny frames) and those with a lot on top (you might end up looking round)
The Sheath
A modern sexier take on the traditional wedding gown, the sheath is characterised by a slim profile that closely follows the curves of the body.
Good For: the tall and thin as well as the slim and petite (the lean shape adds length)
Bad For: anyone who feels like they have something to hide
The A-Line
As its name implies, the A-line cut is narrow at the top, cut close to the ribcage, and extends out along the body in the shape of a triangle (or 'A') in a smooth, elongated line. It is perhaps the most popular skirt option, as it looks wonderful on a variety of body types. The line of the skirts are always clean and ungathered, but there is, as always, a number of versions. The princess cut is exemplified by vertical seams travelling from the bust to the hem. Another take is the circle skirt, a very wide A-line wih a full skirt.
Good For: most body types
Bad For: almost no one
The most traditional of all shapes, te ball gown is typified by a fitted bodice and natural or dropped waistline that leads to a very full skirt. Pleats or gathers in the skirt are what make it a ball gown.
Good For: skinny minnies (add curves) and pear shapes (the skirt hides everything)
Bad For: the petite (the excess fabric can overwhelm tiny frames) and those with a lot on top (you might end up looking round)
The Sheath
A modern sexier take on the traditional wedding gown, the sheath is characterised by a slim profile that closely follows the curves of the body.
Good For: the tall and thin as well as the slim and petite (the lean shape adds length)
Bad For: anyone who feels like they have something to hide
The A-Line
As its name implies, the A-line cut is narrow at the top, cut close to the ribcage, and extends out along the body in the shape of a triangle (or 'A') in a smooth, elongated line. It is perhaps the most popular skirt option, as it looks wonderful on a variety of body types. The line of the skirts are always clean and ungathered, but there is, as always, a number of versions. The princess cut is exemplified by vertical seams travelling from the bust to the hem. Another take is the circle skirt, a very wide A-line wih a full skirt.
Good For: most body types
Bad For: almost no one
Selecting A Bridal Gown For Your Body Type
Labels: Advice, Tips, Wedding Gowns
Selecting A Bridal Gown For Your Body Type
Choosing your bridal gown is one of the most important fashion decisions you will ever make as every brides wanna look their best on their special day. It is hard enough to find that perfect gown for your wedding day, but to add to the frustration you must find something that works with your body type so that you will not only look amazing, but feel comfortable in. Brides come in all different shapes and sizes so we must choose a gown accordingly that will be flattering to our specific shape. The following are examples of body shapes and gowns that work according those figures.
1) Pear shaped - The pear shaped figure is a figure that is smaller at the top and fuller at the bottom, hence in the shape of a pear. (go figure!) A full ball gown is always a great choice with an accented waistline because it will minimize the hips and bring focus to the smaller upper bodice. This can be a gown that has pleats (including box pleats). A pear-shaped bride should stay away from sheath gowns (a gown that is straight up and down) as the fuller bottom will be pronounced in such a style .
2) Broad Shouldered brides should choose a gown that has spaghetti straps or a scoop neckline which to the eye shortens the width of the shoulders. An elongated bodice with a dropped waist also elongates the bodice and narrows the shoulders. Broad shouldered brides should stay away from oversized sleeves or off the shoulder sleeves with ruffles or accents. Think less is more when it comes to accents on the shoulders.
Choosing your bridal gown is one of the most important fashion decisions you will ever make as every brides wanna look their best on their special day. It is hard enough to find that perfect gown for your wedding day, but to add to the frustration you must find something that works with your body type so that you will not only look amazing, but feel comfortable in. Brides come in all different shapes and sizes so we must choose a gown accordingly that will be flattering to our specific shape. The following are examples of body shapes and gowns that work according those figures.
1) Pear shaped - The pear shaped figure is a figure that is smaller at the top and fuller at the bottom, hence in the shape of a pear. (go figure!) A full ball gown is always a great choice with an accented waistline because it will minimize the hips and bring focus to the smaller upper bodice. This can be a gown that has pleats (including box pleats). A pear-shaped bride should stay away from sheath gowns (a gown that is straight up and down) as the fuller bottom will be pronounced in such a style .
2) Broad Shouldered brides should choose a gown that has spaghetti straps or a scoop neckline which to the eye shortens the width of the shoulders. An elongated bodice with a dropped waist also elongates the bodice and narrows the shoulders. Broad shouldered brides should stay away from oversized sleeves or off the shoulder sleeves with ruffles or accents. Think less is more when it comes to accents on the shoulders.
3) Short/Petite brides should stay away from gowns that are "too much" meaning gowns with too much fabric that "swallow up the bride." Full ball gowns with many pleats usually do not work well with petite brides. Modified A-line or Princess A-line with natural waistlines gowns are great choices for petite brides. Dropped waistlines tend to make short brides look shorter.
4) Tall/thin brides look great in sheath gowns which are gowns that are straight up and down. This will show off the figure and make a bride seem thinner than for example a very tall girl in a huge ball gown. Tall/thin brides are usually the only ones that can pull off such a gown so show it off if you can ladies!
5) Hourglass figure are brides that have curves like an hourglass. An A-line (modified or princess) gown with a dropped waist works the best with hourglass figures. It shows off the figure while accenting the appropriate areas of the body. Also, a sweetheart neckline will accent the bodice if it covers enough of the full bustline.
6) Thick waisted brides look the best in empire gowns which are gowns that have a high waistline. Empire waistlines are usually right below the bustline and gradually fade to an A-line skirt. Thick waisted brides should stay away from natural waistline gowns that emphasize the waist.
Best of luck gown hunting! Remember always choose something that you feel most comfortable in and never be persuaded to buy something you do not want!
How To Make Your Own Veil
Labels: Accessories, Advice, DIY, Tips, Veils
How To Make Your Own Veil
The Lengths - Although there are slight variations, here are the standard measurements for veils:
to Shoulder -> 18"
to Blusher/Elbow -> 24"
to Waist -> 30"-36"
to Fingertip -> 40"-45"
to Knee -> 54"
to Chapel/Floor -> 60"-72"
Cathedral -> 144"
*But if you are doing it yourself, the best plan is to simply measure where you want it to fall on you and create your own custom length.
Materials:
1) Fabric - Tulle, organza, chiffon, silk, etc. Length is up to you! Measure the length from where on your head it will attach down to where you'd like it to fall.
2) Thread - Select thread that matches the color of your veil or use silver metallic thread if your edging will be silver metallic.
3) Comb - Any plastic comb will do, but clear/transparent is probably the best color.
4) Trims - For examples, crystal beads, pearl colored beads, sequins, ready made trims, satin cording and ribbon. Any trim that is ready made will be faster than sewing on individal beads or sequins when making a bridal veil.
Instructions:
Once you have the piece of fabric cut to desired length and width you will need to sew on your trim. Some fabrics actually do not need trim as they won't unravel, but most look best trimmed. You will only need to trim three sides of the veil since the top of the veil will be sewn onto your comb. Fold over the edge of the veil and add your trim to the three sides using a needle and thread. The trim shown is white satin cord.
Before trimming, you may want to round out the bottom edges of the veil. Place a CD disc on the corner and trace the round contour and then cut the rounded corner with scissors. This is optional.To attach the trimmed veil to the comb, find the center of the top edge of your veil and sew it onto the center of your comb. Bunch up the veil and continue to sew it onto the comb. Make sure you sew it onto the outside of the comb, the convex (rounded out) side.
Finish making your bridal veil by adding matching trim or beads to the top of the sewn on part of your comb. This will cover up any visible stitches.
Always a good idea to have someone help you with your veil. I advise that even with a comb, a few bobby pins should be used to secure the veil in place.
So get yourself to a fabric store and start looking for veil fabric and trims so you can start making a bridal veil!
The Lengths - Although there are slight variations, here are the standard measurements for veils:
to Shoulder -> 18"
to Blusher/Elbow -> 24"
to Waist -> 30"-36"
to Fingertip -> 40"-45"
to Knee -> 54"
to Chapel/Floor -> 60"-72"
Cathedral -> 144"
*But if you are doing it yourself, the best plan is to simply measure where you want it to fall on you and create your own custom length.
Materials:
1) Fabric - Tulle, organza, chiffon, silk, etc. Length is up to you! Measure the length from where on your head it will attach down to where you'd like it to fall.
2) Thread - Select thread that matches the color of your veil or use silver metallic thread if your edging will be silver metallic.
3) Comb - Any plastic comb will do, but clear/transparent is probably the best color.
4) Trims - For examples, crystal beads, pearl colored beads, sequins, ready made trims, satin cording and ribbon. Any trim that is ready made will be faster than sewing on individal beads or sequins when making a bridal veil.
Instructions:
Once you have the piece of fabric cut to desired length and width you will need to sew on your trim. Some fabrics actually do not need trim as they won't unravel, but most look best trimmed. You will only need to trim three sides of the veil since the top of the veil will be sewn onto your comb. Fold over the edge of the veil and add your trim to the three sides using a needle and thread. The trim shown is white satin cord.
Before trimming, you may want to round out the bottom edges of the veil. Place a CD disc on the corner and trace the round contour and then cut the rounded corner with scissors. This is optional.To attach the trimmed veil to the comb, find the center of the top edge of your veil and sew it onto the center of your comb. Bunch up the veil and continue to sew it onto the comb. Make sure you sew it onto the outside of the comb, the convex (rounded out) side.
Finish making your bridal veil by adding matching trim or beads to the top of the sewn on part of your comb. This will cover up any visible stitches.
Always a good idea to have someone help you with your veil. I advise that even with a comb, a few bobby pins should be used to secure the veil in place.So get yourself to a fabric store and start looking for veil fabric and trims so you can start making a bridal veil!
How To Transform Normal Bags Into Bridal Handbags
Labels: Accessories, Advice, Bags, DIY, Tips
How To Transform Normal Bags Into Bridal Handbags
1) Buy a long, rectangular bag.
2) Remove the straps and any other embellishments.
3) Get a nice hair clip or brooch and attach it to the bag, and there you have it! An elegant evening bag!
4) Sew a piece of organza material over the original bag. This will create a two-toned effect with the original colour peeping out through the organza.
*To disguise holes after removing buckles or embellishments, cover up with a strip of ribbon glue on a ribbon bow and/or add faux jewellery pieces.
Post-wedding*
Change the clip or brooch to something less bridal or make a long strap from a thick strip of ribbon for a more casual look. Replace the cream ribbon and bow with black satin ribbons for a classy, black and white look.
1) Buy a long, rectangular bag.
2) Remove the straps and any other embellishments.
3) Get a nice hair clip or brooch and attach it to the bag, and there you have it! An elegant evening bag!
4) Sew a piece of organza material over the original bag. This will create a two-toned effect with the original colour peeping out through the organza.
*To disguise holes after removing buckles or embellishments, cover up with a strip of ribbon glue on a ribbon bow and/or add faux jewellery pieces.
Post-wedding*
Change the clip or brooch to something less bridal or make a long strap from a thick strip of ribbon for a more casual look. Replace the cream ribbon and bow with black satin ribbons for a classy, black and white look.
Neoromantic Bridal
Labels: About Us
About Us
Neoromantic Bridal professionally tailor made wedding gown and evening gown,bridesmaid dresses. We provide professional designer service for free to figure and reflect your personality, only the workmanship and fabric will be charged. Neoromantic provides high quality luxury tailor made wedding gown with attractive and affordable price range. Our bridal gowns are individually made-to-measure, handcrafted with couture details, and custom fitted exclusively. It is our honor in making every bride's dreaming gown become true.
We caters the needs of our customers according to your specifications and measurements and dress will be beautifully made especially for your perfect day . Meanwhile we provide a lot of ready made wedding gowns for customer trying on, rack off and rental also. With our years of experience and expertise in the custom made gown industry, we are sure we can make your dream wedding and fashions fantasies come to life. We are your best choice for your wedding gowns in malaysia.
And here we would like to thank all of our clients, family and friends for your support and encouragement. We promise that we will become better and better either in our service and material, workmanship etc.
Our Satisfied Customers
Since the starting of our business, we have had countless of brides-to-be who had come to us to make their dream wedding gowns. And here are some photos of satisfied customers in their beautiful wedding gown that are specially crafted just the way they want it to be.
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